The Works of Robert Louis Stevenson - Swanston Edition, Vol. 19 — Text and Context

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Stevenson, Robert Louis, 1850-1894, Osbourne, Lloyd, 1868-1947 Project Gutenberg 2010 Not confirmed
Sea stories; Fathers and sons -- Fiction; Domestic fiction; Young men -- Fiction; Country life -- Fiction; Scotland -- Fiction; Adventure stories; Oceania -- Fiction; Judges -- Fiction; Schooners -- Fiction Readers of public-domain and historical texts
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Words 101,870
Reading time 443 min
Text sections 9

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This volume pairs two Stevenson works: 'The Ebb-Tide,' a collaborative South Seas adventure of three castaways and a vitriol scheme, and 'Weir of Hermiston,' an unfinished novel of a Scottish judge, his son, and the housekeeper Kirstie, marked by stark contrasts in voice and setting.
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CHAPTER I. NIGHT ON THE BEACH 7

II. MORNING ON THE BEACH--THE THREE LETTERS 19

III. THE OLD CALABOOSE--DESTINY AT THE DOOR 29

IV. THE YELLOW FLAG 39

V. THE CARGO OF CHAMPAGNE 46

PART II.--THE QUARTETTE

VII. THE PEARL-FISHER 81

VIII. BETTER ACQUAINTANCE 96

IX. THE DINNER PARTY 109

XI. DAVID AND GOLIATH 131

XII. A TAIL-PIECE 151

I. Life and Death of Mrs. Weir 161

II. Father and Son 175

III. In the Matter of the Hanging of Duncan Jopp 181

IV. Opinions of the Bench 196

V. Winter on the Moors: 1. At Hermiston 205 2. Kirstie 208 3. A Border Family 212

VI. A Leaf from Christina's Psalm-Book 228

VII. Enter Mephistopheles 253

VIII. A Nocturnal Visit 270

IX. At the Weaver's Stone 278

Sir Sidney Colvin's Note 284

Glossary of Scots Words 297

_A Trio and Quartette_

WRITTEN IN COLLABORATION WITH LLOYD OSBOURNE

"_There is a tide in the affairs of men_"

NOTE.--_On the pronunciation of a name very frequently repeated in these pages, the reader may take for a guide_--

"It was the schooner _Farallone_."

NOTE BY MR. LLOYD OSBOURNE

Stevenson and I little knew, when we began our collaboration, that we were afterwards to raise such a hornets' nest about our ears. The critics resented such an unequal partnership, and made it impossible for us to continue it. It may be that they were right; they wanted Stevenson's best, and felt pretty sure they would not get it in our collaboration. But when they ascribed all the good in our three books to Stevenson and all the bad to me, they went a little beyond the mark. It is a pleasure to me to recall that the early part of both "The Wrecker" and "The Ebb-Tide" was almost entirely my own; so also were the storm scenes of the _Norah Creina_; so also the fight on the _Flying Scud_; so also the inception of Huish's scheme, the revelation of it to his companions, his landing on the atoll with the bottle of vitriol in his breast. On the other hand, the Paris portion of "The Wrecker" was all Stevenson's, as well as the concluding chapters of both the South Sea books.

It is not possible to disentangle anything else that was wholly mine or his--the blending was too complete, our method of work too criss-crossed and intimate. For instance, we would begin by outlining the story in a general way; this done, we marshalled it into chapters, with a few explanatory words to each; then it was for me to write the first draft of Chapter I. This I would read to him, and if satisfactory it was laid to one side; but were it not, I would rewrite it, embodying his criticisms. Each chapter in turn was fully discussed in advance before I put pen to paper; and in this way, though the actual first draft was in my own hand, the form of the story continually took shape under Stevenson's eyes. When my first draft of the entire book was finished he would rewrite it again from cover to cover.

I can remember nothing more delightful than the days we thus passed together. If our three books are in no wise great, they preserve, it seems to me, something of the zest and exhilaration that went into their making--the good humour, the eagerness.

We were both under the glamour of the Islands--and that life, so strange, so picturesque, so animated, took us both by storm. Kings and beachcombers, pearl-fishers and princesses, traders, slavers, and schooner-captains, castaways, and runaways--what a world it was! And all this in a fairyland of palms, and glassy bays, and little lost settlements nestling at the foot of forest and mountain, with kings to make brotherhood with us, and a dubious white man or two, in earrings and pyjamas, no less insistent to extend to us the courtesies of the "beach."

It was amid such people, and amid such scenes, that "The Ebb-Tide" and "The Wrecker" were written.

Throughout the island world of the Pacific, scattered men of many European races, and from almost every grade of society, carry activity and disseminate disease. Some prosper, some vegetate. Some have mounted the steps of thrones and owned islands and navies. Others again must marry for a livelihood; a strapping, merry, chocolate-coloured dame supports them in sheer idleness; and, dressed like natives, but still retaining some foreign element of gait or attitude, still perhaps with some relic (such as a single eye-glass) of the officer and gentleman, they sprawl in palm-leaf verandahs and entertain an island audience with memoirs of the music-hall. And there are still others, less pliable, less capable, less fortunate, perhaps less base, who continue, even in these isles of plenty, to lack bread.

At the far end of the town of Papeete, three such men were seated on the beach under a _purao_-tree.

It was late. Long ago the band had broken up and marched musically home, a motley troop of men and women, merchant clerks and navy officers, dancing in its wake, arms about waist and crowned with garlands. Long ago darkness and silence had gone from house to house about the tiny pagan city. Only the street-lamps shone on, making a glow-worm halo in the umbrageous alleys, or drawing a tremulous image on the waters of the port. A sound of snoring ran among the piles of lumber by the Government pier. It was wafted ashore from the graceful clipper-bottomed schooners, where they lay moored close in like dinghies, and their crews were stretched upon the deck under the open sky or huddled in a rude tent amidst the disorder of merchandise.

But the men under the _purao_ had no thought of sleep. The same temperature in England would have passed without remark in summer; but it was bitter cold for the South Seas. Inanimate nature knew it, and the bottle of cocoa-nut oil stood frozen in every bird-cage house about the island; and the men knew it, and shivered. They wore flimsy cotton clothes, the same they had sweated in by day and run the gauntlet of the tropic showers; and to complete their evil case, they had no breakfast to mention, less dinner, and no supper at all.

In the telling South Sea phrase, these three men were _on the beach_. Common calamity had brought them acquainted, as the three most miserable English-speaking creatures in Tahiti; and beyond their misery, they knew next to nothing of each other, not even their true names. For each had made a long apprenticeship in going downward; and each, at some stage of the descent, had been shamed into the adoption of an _alias_. And yet not one of them had figured in a court of justice; two were men of kindly virtues; and one, as he sat and shivered under the _purao_, had a tattered Virgil in his pocket.

Certainly, if money could have been raised upon the book, Robert Herrick would long ago have sacrificed that last possession; but the demand for literature, which is so marked a feature in some parts of the South Seas, extends not so far as the dead tongues; and the Virgil, which he could not exchange against a meal, had often consoled him in his hunger. He would study it, as he lay with tightened belt on the floor of the old calaboose, seeking favourite passages and finding new ones only less beautiful because they lacked the consecration of remembrance. Or he would pause on random country walks; sit on the path-side, gazing over the sea on the mountains of Eimeo; and dip into the _Aeneid_, seeking _sortes_. And if the oracle (as is the way of oracles) replied with no very certain nor encouraging voice, visions of England at least would throng upon the exile's memory: the busy schoolroom, the green playing-fields, holidays at home, and the perennial roar of London, and the fireside, and the white head of his father. For it is the destiny of those grave, restrained, and classic writers, with whom we make enforced and often painful acquaintanceship at school, to pass into the blood and become native in the memory; so that a phrase of Virgil speaks not so much of Mantua or Augustus, but of English places and the student's own irrevocable youth.

Robert Herrick was the son of an intelligent, active, and ambitious man, small partner in a considerable London house. Hopes were conceived of the boy; he was sent to a good school, gained there an Oxford scholarship, and proceeded in course to the western University. With all his talent and taste (and he had much of both) Robert was deficient in consistency and intellectual manhood, wandered in bypaths of study, worked at music or at metaphysics when he should have been at Greek, and took at last a paltry degree. Almost at the same time, the London house was disastrously wound up; Mr. Herrick must begin the world again as a clerk in a strange office, and Robert relinquish his ambitions and accept with gratitude a career that he detested and despised. He had no head for figures, no interest in affairs, detested the constraint of hours, and despised the aims and the success of merchants. To grow rich was none of his ambitions; rather to do well. A worse or a more bold young man would have refused the destiny; perhaps tried his future with his pen; perhaps enlisted. Robert, more prudent, possibly more timid, consented to embrace that way of life in which he could most readily assist his family. But he did so with a mind divided; fled the neighbourhood of former comrades; and chose, out of several positions placed at his disposal, a clerkship in New York.

His career thenceforth was one of unbroken shame. He did not drink, he was exactly honest, he was never rude to his employers, yet was everywhere discharged. Bringing no interest to his duties, he brought no attention; his day was a tissue of things neglected and things done amiss; and from place to place, and from town to town, he carried the character of one thoroughly incompetent. No man can bear the word applied to him without some flush of colour, as indeed there is none other that so emphatically slams in a man's face the door of self-respect. And to Herrick, who was conscious of talents and acquirements, who looked down upon those humble duties in which he was found wanting, the pain was the more exquisite. Early in his fall he had ceased to be able to make remittances; shortly after, having nothing but failure to communicate, he ceased writing home; and about a year before this tale begins, turned suddenly upon the streets of San Francisco by a vulgar and infuriated German Jew, he had broken the last bonds of self-respect, and, upon a sudden impulse, changed his name and invested his last dollar in a passage on the mail brigantine, the _City of Papeete_. With what expectation he had trimmed his flight for the South Seas, Herrick perhaps scarcely knew. Doubtless there were fortunes to be made in pearl and copra; doubtless others not more gifted than himself had climbed in the island world to be queen's consorts and king's ministers. But if Herrick had gone there with any manful purpose, he would have kept his father's name; the _alias_ betrayed his moral bankruptcy; he had struck his flag; he entertained no hope to reinstate himself or help his straitened family; and he came to the islands (where he knew the climate to be soft, bread cheap, and manners easy) a skulker from life's battle and his own immediate duty. Failure, he had said, was his portion; let it be a pleasant failure.

It is fortunately not enough to say, "I will be base." Herrick continued in the islands his career of failure; but in the new scene and under the new name, he suffered no less sharply than before. A place was got, it was lost in the old style; from the long-suffering of the keepers of restaurants he fell to more open charity upon the wayside; as time went on, good-nature became weary, and, after a repulse or two, Herrick became shy. There were women enough who would have supported a far worse and a far uglier man; Herrick never met or never knew them: or if he did both, some manlier feeling would revolt, and he preferred starvation. Drenched with rains, broiling by day, shivering by night, a disused and ruinous prison for a bedroom, his diet begged or pilfered out of rubbish heaps, his associates two creatures equally outcast with himself, he had drained for months the cup of penitence. He had known what it was to be resigned, what it was to break forth in a childish fury of rebellion against fate, and what it was to sink into the coma of despair. The time had changed him. He told himself no longer tales of an easy and perhaps agreeable declension; he read his nature otherwise; he had proved himself incapable of rising, and he now learned by experience that he could not stoop to fall. Something that was scarcely pride or strength, that was perhaps only refinement, withheld him from capitulation; but he looked on upon his own misfortune with a growing rage, and sometimes wondered at his patience.

It was now the fourth month completed, and still there was no change or sign of change. The moon, racing through a world of flying clouds of every size and shape and density, some black as inkstains, some delicate as lawn, threw the marvel of her southern brightness over the same lovely and detested scene: the island mountains crowned with the perennial island cloud, the embowered city studded with rare lamps, the masts in the harbour, the smooth mirror of the lagoon, and the mole of the barrier reef on which the breakers whitened. The moon shone too, with bull's-eye sweeps, on his companions; on the stalwart frame of the American who called himself Brown, and was known to be a master-mariner in some disgrace; and on the dwarfish person, the pale eyes and toothless smile of a vulgar and bad-hearted cockney clerk. Here was society for Robert Herrick! The Yankee skipper was a man at least: he had sterling qualities of tenderness and resolution: he was one whose hand you could take without a blush. But there was no redeeming grace about the other, who called himself sometimes Hay and sometimes Tomkins, and laughed at the discrepancy; who had been employed in every store in Papeete, for the creature was able in his way; who had been discharged from each in turn, for he was wholly vile; who had alienated all his old employers so that they passed him in the street as if he were a dog, and all his old comrades so that they shunned him as they would a creditor.

Not long before, a ship from Peru had brought an influenza, and it now raged in the island, and particularly in Papeete. From all round the _purao_ arose and fell a dismal sound of men coughing, and strangling as they coughed. The sick natives, with the islander's impatience of a touch of fever, had crawled from their houses to be cool, and, squatting on the shore or on the beached canoes, painfully expected the new day. Even as the crowing of cocks goes about the country in the night from farm to farm, accesses of coughing arose and spread, and died in the distance, and sprang up again. Each miserable shiverer caught the suggestion from his neighbour, was torn for some minutes by that cruel ecstasy, and left spent and without voice or courage when it passed. If a man had pity to spend, Papeete beach, in that cold night and in that infected season, was a place to spend it on. And of all the sufferers perhaps the least deserving, but surely the most pitiable, was the London clerk. He was used to another life, to houses, beds, nursing, and the dainties of the sick-room; he lay here now, in the cold open, exposed to the gusting of the wind, and with an empty belly. He was besides infirm; the disease shook him to the vitals; and his companions watched his endurance with surprise. A profound commiseration filled them, and contended with and conquered their abhorrence. The disgust attendant on so ugly a sickness magnified this dislike; at the same time, and with more than compensating strength, shame for a sentiment so inhuman bound them the more straitly to his service; and even the evil they knew of him swelled their solicitude, for the thought of death is always the least supportable when it draws near to the merely sensual and selfish. Sometimes they held him up; sometimes, with mistaken helpfulness, they beat him between the shoulders; and when the poor wretch lay back ghastly and spent after a paroxysm of coughing, they would sometimes peer into his face, doubtfully exploring it for any mark of life. There is no one but has some virtue: that of the clerk was courage; and he would make haste to reassure them in a pleasantry not always decent.

"I'm all right, pals," he gasped once: "this is the thing to strengthen the muscles of the larynx."

"Well, you take the cake!" cried the captain.

"O, I'm good plucked enough," pursued the sufferer with a broken utterance. "But it do seem bloomin' hard to me, that I should be the only party down with this form of vice, and the only one to do the funny business. I think one of you other parties might wake up. Tell a fellow something."

"The trouble is we've nothing to tell, my son," returned the captain.

"I'll tell you, if you like, what I was thinking," said Herrick.

"Tell us anything," said the clerk, "I only want to be reminded that I ain't dead."

Herrick took up his parable, lying on his face and speaking slowly and scarce above his breath, not like a man who has anything to say, but like one talking against time.

"Well, I was thinking this," he began: "I was thinking I lay on Papeete beach one night--all moon and squalls and fellows coughing--and I was cold and hungry, and down in the mouth, and was about ninety years of age, and had spent two hundred and twenty of them on Papeete beach. And I was thinking I wished I had a ring to rub, or had a fairy godmother, or could raise Beelzebub. And I was trying to remember how you did it. I knew you made a ring of skulls, for I had seen that in the _Freischuetz_: and that you took off your coat and turned up your sleeves, for I had seen Formes do that when he was playing Kaspar, and you could see (by the way he went about it) it was a business he had studied; and that you ought to have something to kick up a smoke and a bad smell, I daresay a cigar might do, and that you ought to say the Lord's Prayer backwards. Well, I wondered if I could do that; it seemed rather a feat, you see. And then I wondered if I would say it forward, and I thought I did. Well, no sooner had I got to _world without end_, than I saw a man in a _pariu_, and with a mat under his arm, come along the beach from the town. He was rather a hard-favoured old party, and he limped and crippled, and all the time he kept coughing. At first I didn't cotton to his looks, I thought, and then I got sorry for the old soul because he coughed so hard. I remembered that we had some of that cough mixture the American consul gave the captain for Hay. It never did Hay a ha'porth of service, but I thought it might do the old gentleman's business for him, and stood up. '_Yorana!_' says I. '_Yorana!_' says he. 'Look here,' I said, 'I've got some first-rate stuff in a bottle; it'll fix your cough, savvy? _Harry my_[1] and I'll measure you a tablespoonful in the palm of my hand, for all our plate is at the bankers.' So I thought the old party came up, and the nearer he came the less I took to him. But I had passed my word, you see."

"Wot is this bloomin' drivel?" interrupted the clerk. "It's like the rot there is in tracts."

"It's a story; I used to tell them to the kids at home," said Herrick. "If it bores you, I'll drop it."

"O, cut along!" returned the sick man irritably. "It's better than nothing."

This volume of the Swanston Edition brings together two works that, despite their shared authorship, could hardly be more different in setting and temper. 'The Ebb-Tide,' written with Lloyd Osbourne, opens on a Pacific beach with three down-and-out men—a scene that immediately establishes a tone of desperate idleness. The narrative voice shifts between the collaborators, with Osbourne claiming the early part and the storm scenes as his own. In contrast, 'Weir of Hermiston' returns to Scotland, where the opening chapter, 'Life and Death of Mrs. Weir,' introduces a household defined by its mismatched pair: the stoical, explosive Lord Hermiston and his pious, weeping wife. The prose here is dense with Scots dialect and a dry, ironic humor that cuts through the domestic misery.

Contrasts in Collaboration and Voice

Lloyd Osbourne’s note at the start of 'The Ebb-Tide' offers a rare glimpse into the collaborative process. He defends his own contributions—the storm scenes of the Norah Creina, the fight on the Flying Scud, and the inception of Huish’s vitriol scheme—against critics who assigned all the good to Stevenson. This editorial note is itself a piece of literary history, revealing the tensions behind the partnership. The resulting text bears the marks of two hands: the opening beach scene has a raw, cinematic quality, while later passages show Stevenson’s characteristic psychological depth. Readers may detect shifts in pacing and focus, particularly in the transition from the trio’s initial desperation to the quartet’s arrival on the atoll.

Domestic Warfare in 'Weir of Hermiston'

The excerpt from 'Weir of Hermiston' presents a household ruled by appetite and resentment. Lord Hermiston, a 'stoical old voluptuary,' demands plain broth over piety, while his wife, Mrs. Weir, responds with tears and a 'sopping pocket-handkerchief.' The housekeeper Kirstie Elliott—described as 'comely as a blood horse'—silently despises her master, even as he praises her scones. This triangle of mismatched affections is rendered with a sharp ear for dialogue: 'What do I want with a Christian faim’ly? I want Christian broth!' The child Archie becomes the fragile bond between his parents, his mother’s 'frosted sentiment' blooming only in his company. The contrast between the Edinburgh house and the Hermiston estate, where Kirstie rules, underscores the novel’s interest in place as a determinant of character.

Recurring Patterns: Isolation and Unstable Alliances

Both works explore the dynamics of small, isolated groups under pressure. In 'The Ebb-Tide,' the trio of castaways forms a fragile partnership driven by need, not trust. The schooner Farallone becomes a floating stage for their schemes, culminating in Huish’s plan to land with vitriol—a detail Osbourne claims as his own. In 'Weir of Hermiston,' the family unit at Hermiston is equally isolated, with Kirstie’s silent hatred and Mrs. Weir’s tears creating a tense domestic stalemate. The pattern recurs in the father-son relationship: Lord Hermiston’s explosive authority and Archie’s position as the 'only child of that scarce natural union.' These parallels suggest a thematic preoccupation with how people form and break bonds when cut off from wider society.

Readers approaching this volume should note that 'Weir of Hermiston' is unfinished, breaking off at Chapter IX. The fragment offers a rich portrait of Scottish legal and domestic life, but its plot remains unresolved. 'The Ebb-Tide,' by contrast, is a complete narrative, though its collaborative nature invites attention to shifts in style. Both works reward close reading of their dialogue and descriptive passages, where the authors’ distinct voices emerge most clearly.

Reading Weir of Hermiston, I remembered my grandfather’s damp study, the same heavy stillness. That unfinished tension—a father’s cold justice, a son’s ache—felt familiar. Then I thought of another quiet afternoon, lost in The Adventures of Harry Revel — Context and Discussion, where a boy’s loneliness also hummed beneath the surface. Both books left me holding my breath, waiting for something that never arrived.

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    Crystal Corey Smith - 1 month ago
    A solid collection of Stevenson's writing, though not everything here is equally engaging. Some pieces are timeless classics, but others feel like filler. Still, it's a great addition to any library, and the quality of the edition is high. If you're a completist, this volume is indispensable; if you're a casual reader, you might pick and choose.

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    Paige Hernandez - 4 weeks ago
    As a fan of Stevenson, I was disappointed in this volume. Many of the included pieces are minor works that lack the magic of his better-known books. The editing seems lazy, and the organization is confusing. While it's nice to have a uniform edition, this particular volume feels like a cash grab. I'd advise seeking out individual collections instead.

  • ...
    Dustin Butler - 1 week ago
    This volume of Stevenson's works is a treasure trove for fans. It includes some of his best essays and short stories, showcasing his wit, insight, and masterful prose. The Swanston Edition is beautifully bound, and this particular volume doesn't disappoint. Whether you're a longtime admirer or new to Stevenson, this collection offers hours of rewarding reading.


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