The Adventures of Harry Revel — Context and Discussion
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The source record for The Adventures of Harry Revel — Context and Discussion measures this digital text at 66,547 words, 4 hr 50 min estimated reading time, and 8 detected text sections.
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Project Gutenberg metadata also associates the work with “England -- Social life and customs -- 19th century -- Fiction,” connecting these edition facts with the source record’s subject description.
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I. I FIND MYSELF A FOUNDLING.
II. I START IN LIFE AS AN EMINENT PERSON.
III. I AM BOUND APPRENTICE.
V. THE SHADOW OF ARCHIBOLD.
VI. I STUMBLE INTO HORRORS.
VII. I ESCAPE FROM THE JEW'S HOUSE.
VIII. POOR TOM BOWLING.
X. I GO ON A HONEYMOON.
XII. I FALL AMONG SMUGGLERS.
XIII. THE MAN IN THE VERANDAH.
XIV. THE MOCK-ORANGE BUSH.
XVI. MR. JACK ROGERS AS A MAN OF AFFAIRS.
XVII. LYDIA BELCHER INTERVENES.
XVIII. THE OWL'S CRY.
XX. ISABEL'S REVENGE.
XXI. I GO CAMPAIGNING WITH LORD WELLINGTON.
XXII. ON THE GREATER TESSON.
XXIII. IN CIUDAD RODRIGO.
XXIV. I EXCHANGE THE LAUREL FOR THE OLIVE.
I FIND MYSELF A FOUNDLING.
My earliest recollections are of a square courtyard surrounded by high walls and paved with blue and white pebbles in geometrical patterns--circles, parallelograms, and lozenges. Two of these walls were blank, and had been coped with broken bottles; a third, similarly coped, had heavy folding doors of timber, leaden-grey in colour and studded with black bolt-heads. Beside them stood a leaden-grey sentry-box, and in this sat a red-faced man with a wooden leg and a pigtail, whose business was to attend to the wicket and keep an eye on us small boys as we played. He owned two books which he read constantly: one was Foxe's _Martyrs_, and the other (which had no title on the binding) I opened one day and found to be _The Devil on Two Sticks_.
The arch over these gates bore two gilt legends. That facing the roadway ran: "_Train up a Child in the Way he should Go,_" which prepared the visitor to read on the inner side: "_When he is Old he will not Depart from it._" But we twenty-five small foundlings, who seldom evaded the wicket, and so passed our days with the second half of the quotation, found in it a particular and dreadful meaning.
The fourth and last wall was the front of the hospital, a two-storeyed building of grey limestone, with a clock and a small cupola of copper, weather-greened, and a steeply pitched roof of slate pierced with dormer windows, behind one of which (because of a tendency to walk in my sleep) I slept in the charge of Miss Plinlimmon, the matron. Below the eaves ran a line of eight tall windows, the three on the extreme right belonging to the chapel; and below these again a low-browed colonnade, in the shelter of which we played on rainy days, but never in fine weather--though its smooth limestone slabs made an excellent pitch for marbles, whereas on the pebbles in the yard expertness could only be attained by heart-breaking practice. Yet we preferred them. If it did nothing else, the Genevan Hospital, by Plymouth Dock, taught us to suit ourselves to the world as we found it.
I do not remember that we were unhappy or nursed any sense of injury, except over the porridge for breakfast. The Rev. Mr. Scougall, our pastor, had founded the hospital some twenty years before with the money subscribed by certain Calvinistic ladies among whom he ministered, and under the patronage of a Port Admiral of like belief, then occupying Admiralty House. His purpose (to which we had not the smallest objection) was to rescue us small jetsam and save us from many dreadful Christian heresies, more especially those of Rome. But he came from the north of Britain and argued (I suppose) that what porridge had done for him in childhood it might well do for us-- a conclusion against which our poor little southern stomachs rebelled. It oppressed me worse than any, for since the discovery of my sleep-walking habit my supper (of plain bread and water) had been docked, so that I came ravenous to breakfast and yet could not eat.
Nevertheless, I do not think we were unhappy. Perhaps we were too young, and at any rate we had nothing with which to contrast our lot. Across the roadway outside lay blue water, and of this and of roving ships and boats and free passers-by glimpses came to us through the wicket when Mr. George, the porter (we always addressed him as "Mr." and supposed him to resemble the King in features), admitted a visitor, or the laundress, or the butcher's boy. And sometimes we broke off a game to watch the topmasts of a vessel gliding by silently, above the wall's coping. But if at any time the world called to us, we took second thoughts, remembering our clothes.
We wore, I dare say, the most infernal costume ever devised by man--a tightish snuff-coloured jacket with diminutive tails, an orange waistcoat, snuff-coloured breeches, grey-blue worsted stockings, and square-toed shoes with iron toe-plates. Add a flat-topped cap with an immense leathern brim; add Genevan neck-bands; add, last of all, a leathern badge with "G.F.H." (Genevan Foundling Hospital) depending from the left breast-button; and you may imagine with what diffidence we took our rare walks abroad. The dock-boys, of course, greeted us with cries of "Yellow Hammer!" The butcher-boy had once even dared to fling that taunt at us within our own yard; and we left him in no doubt about the hammering, gallant fellow though he was and wore a spur on his left heel. But no bodily deformity could have corroded us as did those thrice-accursed garments with terror of the world without and of its laughter.
Of a world yet more distant we were taught the gloomiest views. Twice a week regularly, and incidentally whenever he found occasion, Mr. Scougall painted the flames of hell for us in the liveliest colours. We never doubted his word that our chances of escaping them were small indeed; but somehow, as life did not allure, so eternity did not greatly frighten us. Meanwhile we played at our marbles. We knew, in spite of the legend over the gateway, that at the age of ten or so our elder companions disappeared. They went, as a fact, into various trades and callings, like ordinary parish apprentices. Perhaps we guessed this; if so, it must have been vaguely, and I incline to believe that we confused their disappearance with death in our childish musings on the common lot. They never came back to see us; and I remember that we were curiously shy of speaking about them, once gone.
From Miss Plinlimmon's window above the eaves I could look over the front wall on to an edge of roadway, a straight dock like a canal-- crowded with shipping--and a fort which fired a gun in the early morning and again at sunset. And every morning, too, the drums would sound from the hill at our back; and be answered by a soldier, who came steadily down the roadway beside the dock, halted in front of our gates, and blew a call on his bugle. Other bugle-calls sounded all around us throughout the day and far into our sleep-time: but this was the only performer I ever saw. He wore a red coat, a high japanned hat, and clean white pantaloons with black gaiters: and I took it for granted that he was always the same soldier. Yet I had plenty of opportunities for observing him, for Miss Plinlimmon made it a rule that I should stand at the window and continue to gaze out of it while she dressed.
One day she paused in the act of plaiting her hair. "Harry," said she, "I shall always think of you and that tune together. It is called the Revelly, which is a French word."
"But the soldier is English?" said I.
"Oh, I truly trust so--a heart of oak, I should hope! England cannot have too many of them in these days, when a weak woman can scarce lay herself down in her bed at night with the certainty of getting up in the same position in the morning."
(They were days when, as I afterwards learnt, Napoleon's troops and flat-bottomed boats were gathered at Boulogne and waiting their opportunity to invade us. But of this scarcely an echo penetrated to our courtyard, although the streets outside were filled daily with the tramping of troops and rolling of store-wagons. We knew that our country--whatever that might mean--was at war with France, and we played in our yard a game called "French and English." That was all: and Miss Plinlimmon, good soul, if at times she awoke in the night and shuddered and listened for the yells of Frenchmen in the town, heroically kept her fears to herself. This was as near as she ever came to imparting them.)
"I have often thought of you, Harry," she went on, "as embracing a military career. Mr. Scougall very kindly allows me to choose surnames for you boys when you--when you leave us. He says (but I fear in flattery) that I have more invention than he." And here, though bound on my word of honour not to look, I felt sure she was smiling to herself in the glass. "What would you say if I christened you Revelly?"
"Oh, please, no!" I entreated. "Let mine be an English name. Why--why couldn't I be called Plinlimmon? I would rather have that than any name in the world."
"You are a darling!" exclaimed she, much to my surprise; and, the next moment, I felt a little pecking kiss on the back of my neck. She usually kissed me at night, after my prayers were said: but somehow this was different, and it fetched tears to my eyes--greatly to my surprise, for we were not given to tears at the Genevan Hospital. "Plinlimmon is a mountain in Wales, and that, I dare say, is what makes me so romantic. Now, you are not romantic in the least: and, besides, it wouldn't do. No, indeed. But you shall be called by an English name, if you wish, though to my mind there's a _je ne sais quoi_ about the French. I once knew a Frenchman, a writing and dancing master, called Duvelleroy, which always seemed the beautifullest name."
"Was he beautiful himself?" I asked.
"He used to play a kit--which is a kind of small fiddle--holding it across his waist. It made him look as if he were cutting himself in half; which did not contribute to that result. But suppose, now, we call you Revel--Harry Revel? That's English enough, and will remind me just the same--if Mr. Scougall will not think it too Anacherontic."
I saw no reason to fear this: but then I had no idea what she meant by it, or by calling herself romantic. She was certainly soft-hearted. She possessed many books, as well as an album in her own handwriting, and encouraged me to read aloud to her on summer mornings when the sun was up and ahead of us. And once, in the story of _Maximilian, or Quite the Gentleman: Founded on Fact and Designed to excite the Love of Virtue in the Rising Generation_, at a point where the hero's small brother Felix is carried away by an eagle, she dissolved in tears. "In my native Wales," she explained afterwards, "the wild sheep leap from rock to rock so much as a matter of course that you would, in time, be surprised if they didn't. And that naturally gives me a sympathy with all that is sublime on the one hand or affecting on the other."
Yet later--but I cannot separate these things accurately in time--I awoke in my cot one night and heard Miss Plinlimmon sobbing. The sound was dreadful to me and I longed to creep across the room to her dark bedside and comfort her; though I could tell she was trying to suppress it for fear of disturbing me. In the end her sobs ceased and, still wondering, I dropped off to sleep, nor next day did I dare to question her.
But it could not have been long after this that we boys got wind of Mr. Scougall's approaching marriage with a wealthy lady of the town. I must speak of this ceremony, because, as the fates ordained, it gave me my first start in life.
I START IN LIFE AS AN EMINENT PERSON.
Mr. Scougall was a lean, strident man who, if he lectured us often, whipped us on the whole with judgment and when we deserved it. So we bore him no grudge. But neither did we love him nor take any lively interest in him as a bridegroom, and I was startled to find these feelings shared by Mr. George in the porter's box when I discussed the news with him. "I'm to have a new suit of clothes," said Mr. George, "but whoever gets Scougall, he's no catch." This sounded blasphemous, while it gave me a sort of fearful joy. I reported it, under seal of secrecy, to Miss Plinlimmon. "Naval men, my dear Harry," was her comment, "are notoriously blunt and outspoken, even when retired upon a pension; perhaps, indeed, if anything, more so. It is in consequence of this habit that they have sometimes performed their grandest feats, as, for instance, when Horatio Nelson put his spy-glass up to his blind eye. I advise you to do the same and treat Mr. George as a chartered heart of oak, without remembering his indiscretions to repeat them." She went on to tell me that sailor-men were beloved in Plymouth and allowed to do pretty well as they pleased; and how, quite recently, a Quaker lady had been stopped in Bedford Street by a Jack Tar who said he had sworn to kiss her. "Thee must be quick about it, then," said the Quaker lady. And he was.
I suppose this anecdote encouraged me to be more familiar with Mr. George. At any rate, I confided to him next day that I thought of being a soldier.
"Do you know what we used to say in the Navy?" he answered. "We used to say, 'A friend before a messmate, a messmate before a shipmate, a shipmate before a dog, and a dog before a soldier.'"
"You think," said I, somewhat discouraged, "that the Navy would be a better opening for me?"
"Ay," he answered again, eyeing me gloomily; "that is, if so be ye can't contrive to get to jail." He cast a glance down upon his jury-leg and patted the straps of it with his open palm. "The leg, now, that used to be here--I left it in a French prison called Jivvy, and often I thinks to myself, 'That there leg is having better luck than the rest of me.' And here's another curious thing. What d'ye think they call it in France when you remember a person in your will?"
I hadn't a notion, and said so.
"Why, 'legs,'" said he. "And they've got one of mine. If a man was superstitious, you might almost call it a coincidence, hey?"
This was the longest conversation I ever had with Mr. George. I have since found that sentiments very like his about the Navy have been uttered by Dr. Samuel Johnson. But Mr. George spoke them out of his own experience.
Mr. Scougall's bride was the widow of a Plymouth publican who had sold his business and retired upon a small farm across the Hamoaze, near the Cornish village of Anthony. On the wedding morning (which fell early in July) she had, by agreement with her groom, prepared a delightful surprise for us. We trooped after prayers into the dining-hall to find, in place of the hateful porridge, a feast laid out--ham and eggs, cold veal pies, gooseberry preserves, and--best of all--plate upon plate of strawberries with bowl upon bowl of cool clotted cream. Not a child of us had ever tasted strawberries or cream in his life, so you may guess if we ate with prudence. At half-past ten Miss Plinlimmon (who had not found the heart to restrain our appetites) marshalled and led us forth, gorged and torpid, to the church where at eleven o'clock the ceremony was to take place. Her eyes were red-rimmed as she cast them up towards the window behind which Mr. Scougall, no doubt, was at that moment arraying himself: but she commanded a firm step, and even a firm voice to remark outside the wicket, as she looked up at the chimney-pots, that Nature had put on her fairest garb.
The day, to be sure, was monstrously hot and stuffy. Not a breath of wind ruffled the waters of the dock, around the head of which we trudged to a recently erected church on the opposite shore. I remember observing, on our way, the dazzling brilliance of its weathercock.
We found its interior spacious but warm, and the air heavy with the scent--it comes back to me as I write--of a peculiar sweet oil used in the lamps. Perhaps Mr. Scougall had calculated that a ceremony so interesting to him would attract a throng of sightseers; at any rate, we were packed into a gallery at the extreme western end of the church, and in due time watched the proceedings from that respectful distance and across a gulf of empty pews.
--That is to say, some of us watched. I have no doubt that Miss Plinlimmon did, for instance; nay, that her attention was riveted. Otherwise I cannot explain what followed.
On the previous night I had gone to bed almost supperless, as usual. I had come, as usual, ravenous to breakfast, and for once I had sated, and more than sated, desire. For years after, though hungry often enough in the course of them, I never thought with longing upon cold veal or strawberries, nor have I ever recovered an unmitigated appetite for either.
It is certain, then, that even before the ceremony began--and the bride arrived several minutes late--I slumbered on the back bench of the gallery. The evidence of six boys seated near me agrees that, at the moment when Mr. Scougall produced the ring, I arose quietly, but without warning, and made my exit by the belfry door. They supposed that I was taken ill; they themselves were feeling more or less uncomfortable.
The belfry stairway, by which we had reached the door of our gallery, wound upward beyond it to the top of the tower, and gave issue by a low doorway upon the dwarf battlements, from which sprang a spire some eighty feet high. This spire was, in fact, a narrowing octagon, its sides hung with slate, its eight ridges faced with Bath stone, and edged from top to bottom with ornamental crockets.
The service over, bride and bridegroom withdrew with their friends to the vestry for the signing of the register; and there, while they dallied and interchanged good wishes, were interrupted by the beadle, a white-faced pew-opener, and two draymen from the street, with news (as one of the draymen put it, shouting down the rest) that "one of Scougall's yellow orphans was up clinging to the weathercock by his blessed eyebrows; and was this a time for joking, or for feeling ashamed of themselves and sending for a constable?"
The drayman shouted and gesticulated so fiercely with a great hand flung aloft that Mr. Scougall, almost before comprehending, precipitated himself from the church. Outside stood his hired carriage with its pair of greys, but the driver was pointing with his whip and craning his neck like the rest of the small crowd.
The first chapter plants the reader in a square courtyard paved with blue and white pebbles in geometric patterns, where a one-legged sentry reads Foxe's Martyrs and The Devil on Two Sticks. The arch bears gilt legends: “Train up a Child in the Way he should Go” on one side, “When he is Old he will not Depart from it” on the other. This is the world Harry Revel first knows—a world of precise, absurd detail and institutional hypocrisy.
The excerpts that follow jump to a later scene: a card game at Miss Belcher’s, where talk turns to a murdered Jewish moneylender named Rodriguez, a missing boy, and an owl’s hoot that Harry mistakes for a human cry. The narrative voice remains steady, ironic, and alert to the gap between what people say and what they do.
A Courtyard of Patterns and Precepts
The opening description of the charity-school yard is the book’s most vivid set piece. The pebbles are laid out in “circles, parallelograms, and lozenges”; the walls are coped with broken bottles; the sentry-box is “leaden-grey.” The two mottoes on the gate—one facing the road, one facing inward—form a complete, ironic sentence. The narrator does not comment on the irony; he simply records what he saw as a child.
This restraint is characteristic. The adult Harry, looking back, lets the details speak for themselves. The sentry’s two books—Foxe’s martyrs and a novel about a devil—hint at a mind that mixes piety with mischief. The reader is left to infer the institution’s character from the physical evidence: the broken glass, the locked gates, the geometrical order imposed on small boys.
Card Games and Casual Violence
In the later excerpt, the scene shifts to a house where adults play cards, drink, and discuss a murder with remarkable detachment. Miss Belcher threatens to fetch a badger in a barrel; Mr. Rogers revokes and curses the cards; Mr. Whitmore tells a story about a dead Jew named Rodriguez as if it were gossip. The owl’s hoot—a sound Harry, “town-bred,” mistakes for a human cry—underscores his isolation in this adult world.
The dialogue is clipped and naturalistic. Characters speak in fragments: “Half-guinea points?” “Yes, if you will.” The murder is introduced almost as an afterthought, sandwiched between yawns and complaints about the heat. Quiller-Couch trusts the reader to notice the casual cruelty beneath the politeness.
The Missing Boy and the Watched Ferries
Mr. Whitmore’s report of the murder includes a telling detail: “a boy was missing who had been seen in the house just previously, and they were watching the ferries for him.” This is the first hint that Harry himself may be that boy—though the excerpts do not confirm it. The narrative withholds the connection, letting the reader piece together the implications.
The ferry detail is precise: Torpoint Ferry, a real crossing near Plymouth. Quiller-Couch’s preface warns against trusting his geography, but the specificity of place names—Looe hill, the Barbican—grounds the story in a recognizable Devon landscape. The reader should note how the author uses real locations to lend weight to invented events.
Voice and Distance: The Narrator’s Retrospect
The first-person narrator, looking back from an unspecified later time, maintains a consistent tone: dry, observant, and slightly amused. He does not exaggerate his own emotions. When he hears the owl’s hoot, he says simply, “I took it for a human cry in the darkness and shrank closer against my mock-orange bush.” The bush is named with botanical precision—a typical Quiller-Couch touch.
This retrospective voice allows the author to layer meaning. The child Harry does not understand the adults’ talk of guineas and revokes; the adult narrator does, but does not explain. The reader must watch for what the child misses: the significance of the guinea that rolls under the table, the name Rodriguez, the owl’s cry that is not an owl. The gaps between what Harry perceives and what the reader infers drive the story forward.
Pay close attention to what the narrator does not say. The excerpts are full of objects and gestures—a dropped guinea, a misdeal, a hoot in the dark—that carry more weight than the characters acknowledge. Quiller-Couch builds suspense not through dramatic declarations but through the accumulation of small, telling details. Let the courtyard pebbles, the gilt mottoes, and the card-table banter guide your reading; the plot will emerge from their shadows.
Harry Revel’s eyes fixed on that courtyard’s paving-stones, memorizing a world made of small, precise details. It reminds me of another quiet soul, one whose journey unfolds through similar careful observations of passing rooms and faces. Both books share that unhurried, dry witness to life’s odd turns, a kinship I’ve come to appreciate. There is a comfortable companionship in such measured storytelling, as with Jane Journeys On — Key Ideas to Explore.
Jack White
3 weeks ago-
Anna Scott - 3 weeks ago
A delightful romp through 18th-century England! Harry Revel's escapades are thrilling and heartwarming. The prose is vivid, the characters are memorable, and the plot twists kept me glued to the page. This is classic adventure fiction at its finest, offering both excitement and a glimpse into a bygone era. Highly recommended for lovers of historical adventure. -
Aaron Sims - 3 weeks ago
The Adventures of Harry Revel is an engaging historical adventure with charming prose and a plucky hero. The plot is entertaining, but at times the pacing lags in the middle sections, and some supporting characters feel underdeveloped. Still, it's a solid read for fans of the genre who appreciate a good old-fashioned romp. -
Erin Ortiz - 1 week ago
While the premise of Harry Revel's adventures is promising, the execution falls flat. The pacing is erratic, with too much time spent on minor details and not enough on developing a compelling narrative. The protagonist's decisions often strain believability, and the dialogue feels stilted. Overall, a disappointing read that fails to live up to its adventurous billing.
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Harper Lee
1 month ago