Mrs. Fitz — Inside the Classic
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For Mrs. Fitz — Inside the Classic, the stored edition analysis reports 93,504 words, 6 hr 47 min estimated reading time, and 11 detected text sections.
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n had telephoned through to say that they had a foot of snow on the wolds and that hounds had better stay where they were.
"Awfully good of you, Brasset, to come and tell us," said I, heartily. "Have some breakfast?"
"No, thanks," said Brasset. "The fact is, as we are not going over to Morton's, I thought this would be a good opportunity to--to----"
For some reason the noble Master did not appear to know how to complete his sentence.
"Yes, Lord Brasset," said Mrs. Arbuthnot, with an air of acute intelligence.
"A good opportunity to--to----" said Brasset, who in spite of his seriousness really looked absurdly young to be the master of such a pack as ours.
"Yes, Lord Brasset," said Mrs. Arbuthnot again.
"Yes, quite so, my dear fellow," said I, without, as I hope and believe, the least appearance of levity, for the uncompromising eye of authority was upon me.
"What's up, Brasset?" said Jodey, who contrary to the regulations was lighting his pipe at the breakfast table, and who combined with his many engaging qualities an extremely practical mind. "You want a glass of beer. Parkins, bring his lordship a glass of beer."
With this aid to the body corporeal in his hand, and with a pair of large, serious and admirably solicitous eyes fixed upon him, the noble Master made a third attempt to complete his sentence. This time he succeeded.
"The fact is," said he, "I thought this would be a good opportunity to--to"--here the noble Master made a heroic dash for England, home and glory--"to talk over this confounded business of Mrs. Fitz."
Mrs. Arbuthnot sat bolt upright with an air of ecstasy and the expression "There, what did I tell you!" written all over her
"Quite so, my dear fellow," said I, in simple good faith, but happening at that moment to intercept a glance from a feminine eye, had perforce to smother my countenance somewhat hastily in the voluminous folds of the _Times_.
"What about her?" inquired the occupant of the breakfast table, who, whatever the angels might happen to be doing at any given moment, never hesitated to walk right in with both feet. "I was saying to Arbuthnot and my sister just as you came in, that you people down here have got Mrs. Fitz on the brain."
"Yes, I am afraid we have," said Brasset, ruefully. "The fact is, things are coming to such a pass that they can't go on."
"I agree with you, Lord Brasset," said Mrs. Arbuthnot, with conviction.
"Something must be done."
"It is so uncomfortable for everybody," said Mrs. Arbuthnot. "And I can promise this, Lord Brasset"--the fair speaker looked ostentatiously away from the vicinity of the leading morning journal--"whatever steps you decide to take in the matter will have the entire sympathy and support of every woman subscriber to the Hunt."
"Thank you very much indeed, Mrs. Arbuthnot," said the noble Master, with feeling, "I am very grateful to you. It will help me very much."
"We held a meeting in Mrs. Catesby's drawing-room on Sunday afternoon. We passed a resolution expressing the fullest confidence in you--I wish, Lord Brasset, you could have heard what was said about you." The Master's picturesque complexion achieved a more roseate tinge. "Our unanimous support and approval was voted to you in all that you may feel called upon to do."
"A thousand thanks, my dear Mrs. Arbuthnot."
"And we hope you will turn Mrs. Fitz out of the Hunt. I also brought forward an amendment that Fitz be turned out as well, but it was decided by six votes to four to give him another chance. But in the case of Mrs. Fitz the meeting was absolutely unanimous."
"My God," said the occupant of the breakfast table. "If that ain't the limit!"
"Mrs. Fitz is a good deal more than the limit." Mrs. Arbuthnot's eyes sparkled with truculence.
"Have a cigarette, my dear fellow," said I, offering my case to the unfortunate Brasset as soon as the state of my emotions would permit me to do so.
Brasset selected a cigarette with an air of intense melancholy. As he applied the lighted match that was also offered him he favoured me with an eye that was so woebegone that it must have moved a heart of stone to pity. On the contrary, my fellow-pilgrim through this vale of tears had turned a most becoming shade of pink, which she invariably does when she is really out upon the warpath. Also in her china-blue eyes--I hope such a description of these weapons will pass the censor--was a look of grim, unalterable ruthlessness, before which men quite as stout as Brasset have had to quail.
The noble Master took a nervous draw at his Egyptian.
"Look here, Arbuthnot," said he, "you are a wise chap, ain't you?"
"He thinks he's wise," said my helpmeet.
"Every man does," said I, modestly, "not necessarily as an article of faith but as a point of ritual."
"Yes, of course," said Brasset, with an air of intelligence that imposed upon nobody. "But everybody says you are a wise chap. That little Mrs. Perkins says you are the wisest chap she has met out of London."
This indiscretion on the part of Brasset--some men have so little tact!--provoked a stiffening of plumage; and if the china-blue eyes did not shoot forth a spark this chronicle is not likely to be of much account.
"Stick to the point, if you please," said I. "I plead guilty to being a Solomon."
"Well, as you are a wise chap," said the blunderer, "and I'm by way of being an ass----"
"I don't agree with you at all, Lord Brasset," piped a fair admirer.
"Oh, but I am, Mrs. Arbuthnot," said Brasset, dissenting with that courtesy in which he was supreme. "It's awfully good of you to say I'm not, but everybody knows I am not much of a chap at most things."
"You may not be so clever as Odo," said the wife of my bosom, "because Odo's exceptional. But you are an extremely _able_ man all the same, Lord Brasset."
"She means to attend that sale at Tatt's on Wednesday," said the occupant of the breakfast table in an aside to the marmalade.
"Well, if I am not such a fool as I think I am"--so perfect a sincerity disarmed criticism--"it is awfully good of you, Mrs. Arbuthnot, to say so. But what I mean is, I should like Arbuthnot's advice on the subject of--on the subject of----"
"On the subject of Mrs. Fitz," said Mrs. Arbuthnot, with the coo of the dove and the glance of the rattlesnake.
"Ye-es," said the noble Master, nervously dropping the ash from his cigarette on to a very expensive tablecloth.
"Odo will be very pleased indeed, Lord Brasset," said the superior half of my entity, "to give you advice about Mrs. Fitz. He agrees with me and Mary Catesby and Laura Glendinning, that she must be turned out of the Hunt."
Poor Brasset removed a bead of perspiration from the perplexed melancholy of his features with a silk handkerchief of vivid hue, own brother to the one sported by the Bayard at the breakfast table, in a futile attempt to cope with his dismay.
"Is it usual, Mrs. Arbuthnot?"
"It may not be usual, Lord Brasset, but Mrs. Fitz is not a usual woman."
"My dear Irene," said I, judicially--Mrs. Arbuthnot rejoices in the classical name of Irene--"my dear Irene, I understand Brasset to mean that there is nothing in the articles of association of the Crackanthorpe Hunt to provide against the contingency of Mrs. Fitz or any other British matron overriding hounds as often as she likes."
Although I have had no regular legal training beyond having once lunched in the hall of Gray's Inn, everybody knows my uncle the judge. But I regret to say that this weighty deliverance did not meet with entire respect in the quarter in which it was entitled to look for it.
"That is nonsense, Odo," said Mrs. Arbuthnot. "I am sure the Quorn----"
Brasset's misery assumed so acute a phase at the mention of the Quorn that Mrs. Arbuthnot paused sympathetically.
"The Quorn--my God!" muttered the Bayard at the breakfast table in an aside to the tea-kettle.
"Or the Cottesmore," continued the undefeated Mrs. Arbuthnot, "would not stand such behaviour from a person like Mrs. Fitz."
"Do you think so, Mrs. Arbuthnot?" said the noble Master. "You see, we shouldn't like to get our names up by doing something unusual."
"An unusual person must be dealt with in an unusual way," said Mrs. Arbuthnot, with great sententiousness.
"Mary Catesby thinks----"
The long arm of coincidence is sometimes very startling, and I can vouch for it that the entrance of Parkins at this psychological moment, to herald the appearance of Mary Catesby in the flesh, greatly impressed us all as something quite beyond the ordinary.
"Why, here _is_ Mary," said Mrs. Arbuthnot, giving that source of light and authority a cross-over kiss on both checks. It is the hall-mark of the married ladies of our neighbourhood that they all delight to exhibit an almost exaggerated reverence for Mary Catesby.
I have great esteem for Mary Catesby myself. For one thing, she has deserved well of her country. The mother of three girls and five boys, she is the British matron _in excelsis_; and apart from the habit she has formed of riding in her horse's mouth, she has every attribute of the best type of Christian gentlewoman. She owns to thirty-nine--to follow the ungallant example of Debrett!--is the eldest daughter of a peer, and is extremely authoritative in regard to everything under the sun, from the price of eggs to the table of precedence.
The admirable Mary--her full name is Mary Augusta--may be a trifle over-elaborated. Her horses are well up to fourteen stone. And as matter and mind are one and the same, it is sometimes urged against her that her manner is a little overwhelming. But this is to seek for blemishes on the noonday sun of female excellence. One of a more fragile cast might find such a weight of virtue a burden. But Mary Catesby wears it like a flower.
In addition to her virtue she was also wearing a fur cloak which was the secret envy of the entire feminine population of the county, although individual members thereof made it a point of honour to proclaim for the benefit of one another, "Why _does_ Mary persist in wearing that ermine-tailed atrocity! She really can't know what a fright she looks in it."
As a matter of fact, Mary Catesby in her fur cloak is one of the most impressive people the mind of man can conceive. That fur cloak of hers can stop the Flying Dutchman at any wayside station between Land's End and Paddington; and on the platform at the annual distribution of prizes at Middleham Grammar School, I have seen more than one small boy so completely overcome by it, that he has dropped "Macaulay's Essays" on the head of the reporter of the _Advertiser_.
Besides this celebrated garment, Mary was adorned with a bowler hat with enormous brims, not unlike that affected by Mr. Weller the Elder as Cruikshank depicted him, and so redoubtable a pair of butcher boots as literally made the earth tremble under her.
Her first remark was addressed, quite naturally, to the unfortunate Brasset, who had been rendered a little pinker and a little more perplexed than he already was by this notable woman's impressive entry.
"I consider this weather disgraceful," said she. "It always is when we go over to Morton's. Why is it, Reggie?"
She spoke as though the luckless Reggie was personally responsible for the weather and also for the insulting manner in which that much-criticised British institution had deranged her plans.
"I am awfully sorry, Mrs. Catesby. Not much of a day, is it?"
"Disgraceful. If one can't have better weather than this, one might as well go and have a week's skating at Prince's."
The idea of Mary Catesby having a week's skating at Prince's seemed to appeal to Joseph Jocelyn De Vere. At least that sportsman was pleased not a little.
"English style or Continental?" said he.
Mary Catesby did not deign to heed.
"I am awfully sorry, Mrs. Catesby," said Brasset again, with really beautiful humility.
Mrs. Catesby declined to accept this delightfully courteous apology, but gazed down her chin at the unfortunate Brasset with that ample air which invariably makes her look like Minerva as Titian conceived that deity. Silently, pitilessly, she proceeded to fix the whole responsibility for the weather upon the Master of the Crackanthorpe.
She had just performed this feat with the greatest efficiency, when by no means the least of her admirers put in an oar.
"I'm so glad you've come, Mary," said Mrs. Arbuthnot. "We were just having it out with Lord Brasset about Mrs. Fitz."
An uncomfortable silence followed.
"Is she a subject for discussion in a mixed company?" said I, to relieve the tension.
"I should say not," said Mary. "But Reggie has been so weak that there is no help for it."
"The victim of circumstances, perhaps," said I, with generous unwisdom.
"People who are weak always are the victims of circumstances. If Reggie had only been firmer at the beginning, we should not now be a laughing-stock for everybody. To my mind the first requisite in a master of hounds is resolution of character."
"Hear, hear," said the occupant of the breakfast table, _sotto voce_.
The miserable Brasset, whose pinkness and perplexity were ever increasing, fairly quailed before the Great Lady's forensic power.
"Do you think, Mrs. Catesby, I ought to resign?" said he, with the humility that invites a kicking.
"Not _now_, surely; it would be too abject. If you felt the situation was beyond you, you should have resigned at the beginning. You must show spirit, Reggie. You must not submit to being trampled on publicly by--by----"
The Great Lady paused here, not because she was at a loss for a word, but because, like all born orators, she had an instinctive knowledge of the value of a pause in the right place.
"By a circus rider from Vienna," she concluded in a level voice.
THE CASE FOR THE PROSECUTION
"I know, Mrs. Catesby, I'm not much of a chap," said Brasset, "but what's a feller to do? I did drop a hint to Fitz, you know."
"Fitz!!" The art of the _littérateur_ can only render a scorn so sublime by two marks of exclamation.
"What did Fitz say?" I ventured to inquire.
"Scowled like blazes," said Brasset, miserably. "Thought the cross-grained, three-cornered devil would eat me. Beg pardon, Mrs. Catesby."
The noble Master subsided into his glass of beer in the most lamentably ineffectual manner.
I cleared my voice in the consciousness that I had an uncle a judge.
"Brasset," said I, "will you kindly inform the court what are the specific grounds of complaint against this much-maligned and unfortunate--er--female?"
"Don't make yourself ridiculous, Odo!"
"Odo, you know perfectly well!"
It was a dead heat between Mrs. Arbuthnot and the Great Lady.
"Order, order," said I, sternly. "This scene belongs to Brasset. Now, Brasset, answer the question, and then perhaps something may be done."
It was not to be, however. The nephew of my uncle failed lamentably to exact obedience to the chair.
"My dear Odo," said Mary Catesby, in what I can only describe as her Albert Hall manner, with her voice going right up to the top like a flag going up a pole, "do you mean to tell _me_----?"
"That you don't know how Mrs. Fitz has been carrying on!" the Madam chipped in with really wonderful cleverness.
"I don't, upon oath," said I, solemnly. "You appear to forget that I have been giving my time to the nation during this abominable autumn session."
"So he has, poor dear," said the partner of my joys.
"Like a good citizen," said Mary Catesby, most august of Primrose Dames.
"Thank you, Mary, I deserve it. But am I to understand that Mrs. Fitz has flung her cap over the mill, or that she has taken to riding astride, or is it that she continues to affect that scarlet coat which last season hastened the end of the Dowager?"
"No, Arbuthnot." It was the voice of Brasset, vibrating with such deep emotion that it can only be compared to the _Marche Funèbre_ performed upon a cathedral organ. "But it was only by God's mercy that last Tuesday morning she didn't override Challenger."
"Allah is great," said I.
"Upon my solemn word of honour," said the noble Master, speaking from the depths, "she was within two inches of the old gal's stern."
"Parkins," said a voice from the breakfast table, "bring another glass of beer for his lordship."
To be perfectly frank, liquid sustenance was no longer a vital necessity to the noble Master. He was already rosy with indignation at the sudden memory of his wrongs. Only one thing can induce Brasset to display even a normal amount of spirit. That is the welfare of the sacred charges over which he presides for the public weal. He will suffer you to punch his head, to tread on his toe, or to call him names, and as likely as not he will apologise sweetly for any inconvenience you may have incurred in the process. But if you belittle the Crackanthorpe Hounds or in any way endanger the humblest member of the Fitzwilliam strain, woe unto you. You transform Brasset into a veritable man of blood and iron. He is invested with pathos and dignity. The lightnings of heaven flash from beneath his long-lashed orbs; and from his somewhat narrow chest there is bodied forth a far richer vocabulary than the general inefficiency of his appearance can possibly warrant in any conceivable circumstances.
Mere feminine clamour was silenced by Brasset transformed. His blue eyes glowed, his cheeks grew rosier, each particular hair of his perfectly charming little blond moustache--trimmed by Truefitt once a fortnight--stood up on end like quills upon the fretful porpentine. In lieu of pink abasement was tawny denunciation.
"I'll admit, Arbuthnot," said the Man of Blood and Iron, "I looked at the woman as no man ought to look at a lady."
"Didn't you say 'damn,' Lord Brasset?" piped a demure seeker after knowledge.
"I may have done, Mrs. Arbuthnot, I admit I may have done."
"I think that ought to go down on the depositions," said I, with an approximation to the manner of my uncle, the judge, that was very tolerable for an amateur.
"I _honour_ you for it, Lord Brasset. Don't you, Mary?"
"Endeavour not to embarrass the witness," said I. "Go on, Brasset."
"Brasset, here's your beer," said Jodey, rising from the table and personally handing the Burton brew with vast solemnity.
"I may have damned her eyes," proceeded the witness, "or I mayn't have done. You see, she was within two inches of the old gal, and I may have lost my head for a bit. I'll admit that no man ought to damn the eyes of a lady. Mind, I don't say I did. And yet I don't say I didn't. It all happened before you could say 'knife,' and I'll admit I was rattled."
"The witness admits he was rattled," said I.
"So would you have been, old son," the witness continued magniloquently. "Within two inches, upon my oath."
"Were there reprisals on the part of the lady whose eyes you had damned in a moment of mental duress?"
"_Rather_. She damned mine in Dutch."
"How did you know it was Dutch, Lord Brasset?" piped a seeker of knowledge.
"By the behaviour of the hounds, Mrs. Arbuthnot."
"How did they behave?"
"The beggars bolted."
"My aunt!" said the occupant of the breakfast table with solemn irrelevance.
"So would you," said the noble Master. "I never heard anything like it. In my opinion there is no language like Dutch when it comes to cursing. And then, before I could blink, up went her hand, and she gave me one over the head with her crop."
"Upon my solemn word of honour. I don't mind showing the mark to anybody."
"Where is it, Lord Brasset?"
Mrs. Arbuthnot rose from her chair in the ecstatic pursuit of first-hand information. Her eyes were wide and glowing like those of her small daughter, Miss Lucinda, when she hears the story of "The Three Bears."
"Show _me_ the scar, Reggie," said a Minerva-like voice.
"Let's see it, Brasset," said the occupant of the breakfast table, kicking over a piece of Chippendale of the best period and incidentally breaking the back of it.
The novel opens with a snowstorm and a complaint about the climate, immediately grounding the reader in a domestic scene that is both specific and symbolic. The narrator, Odo, hides behind a newspaper while Mrs. Arbuthnot and Jodey banter about kedgeree and the weather. This mundane exchange is interrupted by the arrival of Mrs. Fitz, a mysterious foreign woman whose ideas about fate, reincarnation, and the soul unsettle the English characters. The structure of the book, as indicated by chapter titles like "According to Reuter" and "Alarums and Excursions," suggests a narrative that moves between private conversations and public events, between the drawing-room and the wider world.
Episodic Structure and Chapter Titles
The chapter titles in Mrs. Fitz function as a kind of running commentary, blending the mundane with the sensational. "Tribulations of a M.F.H." (Master of Foxhounds) sits alongside "An International Issue" and "A Glare in the Sky." This juxtaposition mirrors the novel's movement between domestic comedy and political intrigue. The titles often promise action—"Preparations for the Campaign," "The Cast of the Die"—but the excerpts show that much of the drama unfolds through dialogue and reflection. The structure is episodic, with each chapter advancing a particular scene or conversation rather than a continuous plot. This allows Snaith to shift tone rapidly, from the trivialities of breakfast to the weight of international diplomacy.
Recurring Imagery: Weather and Fate
Weather is a persistent motif. The novel begins with snow and a joke about sacking the Clerk of the Weather, and later references to "a glare in the sky" suggest a symbolic use of natural phenomena. Mrs. Fitz herself is associated with fate: she believes "everything is fore-ordained" and that she and Nevil were together in Babylon three thousand years ago. This deterministic worldview contrasts with the English characters' pragmatic materialism. The imagery of weather and fate reinforces the novel's exploration of whether events are random or destined. The snow at the opening may foreshadow the cold reception of Mrs. Fitz's ideas, while the "glare" hints at revelation or disaster.
Movement Between Domestic and International Scenes
The narrative shuttles between the intimate setting of Mrs. Arbuthnot's home and the broader stage of European politics. Chapter titles like "News from Illyria" and "His Illyrian Majesty Ferdinand the Twelfth" indicate that the story involves a foreign kingdom, likely the source of Mrs. Fitz's mysterious background. Yet the excerpts focus on drawing-room conversations, where characters debate Mrs. Fitz's manners and ideas. This tension between the domestic and the international is central to the novel's structure: the private sphere becomes a lens through which larger forces are viewed. The reader is left to infer how the personal dramas connect to the political events hinted at in the table of contents.
Voice and Dialogue as Structural Drivers
The excerpts reveal a novel driven by dialogue and character voice. The narrator, Odo, is a sardonic observer, while Mrs. Arbuthnot speaks with "simple authority." Jodey's complaints about kedgeree and his preference for coffee over tea establish a comic tone. Mrs. Fitz, though largely absent from the excerpts, is described through others' words: she "looks down on the English," believes in the soul, and thinks the Romans are reincarnated. This indirect presentation builds mystery. The dialogue is rapid and witty, with characters interrupting each other and shifting topics. This conversational style propels the narrative forward without relying on action, making the novel a series of verbal exchanges that reveal character and conflict.
Readers approaching Mrs. Fitz should attend to the interplay between the trivial and the profound. The novel's structure rewards attention to chapter titles and shifts in setting, while its recurring motifs of weather and fate provide a unifying thread. The excerpts offer only a partial view, but they suggest a work that uses domestic comedy to explore larger questions of identity and destiny. The full text likely deepens these patterns, making the reading experience one of accumulating significance.
That afternoon, the rain kept time with Mrs. Fitz’s restless weather, each chapter shifting from parlor to continent like a shutter in the wind. When the final page folded shut, I found myself drifting toward something older, sturdier—the quietly annotated world of The Riflemen of the Miami — Edition Insights. Same sense of fate, just a different riverbank. The storm had passed, but its mood lingered.
Grace Nguyen
2 weeks agoElla Gonzalez
1 week agoOlivia Taylor
1 week agoLucas Harris
3 weeks ago-
Kimberly Garcia - 3 weeks ago
"Mrs Fitz" is a delightful character study that will wrap you in its warmth. This book explores the life of a remarkable woman with wit, wisdom, and a great deal of heart. The writing is elegant yet accessible, and the supporting cast is wonderfully drawn. It's a story about resilience, friendship, and the small moments that make life extraordinary. A truly uplifting read that I would recommend to anyone looking for quality contemporary fiction. -
Craig Harrison - 3 weeks ago
I wanted to like "Mrs Fitz," but it left me feeling indifferent. The main character, despite the promise of depth, comes across as flat and unremarkable. The story wanders without a clear direction, and the supporting characters are forgettable. The writing tries to be profound but often ends up feeling pretentious and overly descriptive. This book is a slog to get through, and not worth the time. -
Donald Hall - 1 week ago
"Mrs Fitz" is a pleasant, character-driven novel with a charming protagonist. The author does a good job of building the world around her, and the dialogue feels natural. However, the plot is somewhat slow-moving, and at times it feels more like a series of vignettes than a cohesive narrative. If you enjoy gentle, introspective stories, this might be for you, but don't expect much action.
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Wyatt Adams
2 weeks ago