Satan and the Comrades — Reading Notes
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Redland had done more than put him into a natty summer suit. Although not very bright, he had unusual powers of observation. He liked to ape the odd speech of his customers, especially American prospectors. These truculent but harmless old timers worked at odd jobs around the nearby palace grounds, and in the ferryman they found a kindred spirit.
Nick eyed the loyal old fellow's red tie with amazement. "What, for St. Pete's sake, are you drinking, Char?"
"Vodka," Charon gasped. Recognizing the stern voice, he tried to focus his bleary eyes. "'Scuse it, Your Majesty. I've come a long way and alone. Your substitute, Pudzy, gimme a bottle 'fore he returned to Ameriky, and it's durn cold up there in Musk-Cow, and so I took a few nips, and I felt so goldurned glad to git back I polished off what was left, so I didn't recognize Your Majesty when you came zoomin' along, and if you'll sort of overlook--"
Nick patted the frightened old fellow's scrawny shoulder. "Better check in and sleep it off, Char."
"Gosh, stoppin' _you_!"
"You let everybody in till I tell you different. Forget the toll charge too, you old conniver."
"Yeah, and look!" Chortling with glee, Charon tottered back to his station and put one hand across the beam of a photo-electric eye. The ponderous gate slid silently upward. "It weighs fifteen hundred tons, Mulcie says, and I don't even push a button."
"You still smell like a Communist, Char," Nick said, sniffing the good sulphurous air. "How come you're on the job as bridgekeeper if you've just returned from Moscow?"
"Orders from Beelzebub, and it's nigh a half hour by now since this fella came across the bridge. I'm sauntering home, friends with everybody, I am--"
Charon scratched his grisly thatch. "Come to think of it, I never see 'im afore this. I'm standing back there, looking down at my old skiff and wondering about my job, when this fella comes up. 'This is for you, Charon,' he says, and held out your official incombusterible letterhead with the cross-bones and dripping blood--"
"Yeah, yeah. What does this stranger look like? What's his name? Who signed the paper?"
"Beelzebub signed it. I guess I know the John Henry of your Number Two devil even if I am a dumb ferryman." Perhaps sensing he had blundered, Charon almost wept. "This paper appoints me head bridge-tender from now to the _end_ of eternity, and, bein' worried about my job, I hopped right to it. You're the first--"
"Which way did he go? What's he look like?"
Charon almost said "Thataway," as he shook his head and pointed a trembling finger to the distant shore. "Lemme see. He wore neat clothes about like mine, and he zoomed off like the upper crust shades do when in a hurry--which ain't often. He has mean little eyes, sort of pale blue, is built wide and short, and talks American good as I do. Now't I think of it, he had an impederiment in his speech, and he smelt like a bed of sweet peas."
"Very good, indeed." Scanning the paper, Nick smiled as he recognized a forgery of the Beelzebub signature. He drew out his pen which writes under fire as well as water, and scribbled "Nick," then put the document into the eager hands. "This gives you the job forever--or till I revoke the appointment."
"Boydy-dumb-deals!" Charon shouted. "Boss, you oughta hear about my adventures in Redland. I had a real gabfest with the new Premier, Andrei Broncov, and his Minister of Culture, Vichy Volonsky."
Nick grinned sardonically. "I heard a little about the most recent changes in the Kremlin. Are my old sidekicks well? And are they having any particular trouble since liquidating the old gang?"
"How come you call that fat crumb, Broncov, your sidekick?" Charon frowned, trying to collect his wits in the dread presence. "He didn't ask about you. He took me for an illegitimate son of Joe Stalin's, so how would he know you and I are pals? I bought this red tie and hired a sleeping dictionary to catch onto the language better, and--"
"Your dictionary probably spilled things to the MVD."
"Not while my gold held out. Anyhow, those punks are way overrated. Tricky, maybe, and they lie good. They'd rather bump you off than eat breakfast."
"Purge is the word. The old comrades Broncov threw out a month ago now fully understand its meaning. How is the comrade?"
"Gosh, boss, I'm sick of hearing that word. They say it just before they knife you. Broncov's been busy, all right. Since taking over the Number One job he's been sending a lot of his best friends down this way. To keep Joe Stalin company, he told me. He looks fat even if Bill Shakespeare says this new lot--"
"I suppose he and his pals plied you with liquor," Nick said.
"They tried to drink me under the table." Charon cut a laugh in half. "Gosh, I durn near forgot. Y'know what the sidewinder, Bronco, babbled 'fore he passed out? Top drawer stuff. Only he and this Vichy Volonskyvich know about it. Seems Bronco learned, somehow, about your taking a vacation, so he's been torturing a lot of his friends into confessing they plotted agin 'im. He promised them an easy death if they'd carry on down here. How you like that?"
"The fools. What's his plan?"
"I ain't sure I got it all as his tongue got thicker from the vodka. But I learned Hell's full of comrades who've sworn to their god, Lee-Nine, they'll toss you to the wolves. They aim to pull Joe Stalin off his clinker-picking job and make him secretary here."
"Go on," Nick urged in ominous tones. "How?"
"They've swiped some new secret weapon and figure to obliterate you and every devil in authority so things will be organized nice and cozy when they finally get here. The Dumb--"
"Good report, Char." The new weapon did not bother Nick much, but from his profound studies of atom smashing he decided anything can happen these days even to a top devil. He continued briskly: "Hereafter, sniff all your customers and make sure they don't _smell_ like a Red. You know the aroma by now--sweet peas with an underlying stink--so keep your nose peeled. When you spot a comrade, radio-phone the guard. Those lads will know what to do you can bet your last ruble."
The rousing welcome home Nick received as he climbed the hill to his great palace would have warmed his heart if he'd owned one.
"Thanks, boys and girls," he intoned in his best golden voice. "It's swell to be back among you. I haven't time for a speech now, but tune in to Channel Thirteen tomorrow evening for my fireside chat."
He wanted to take off for Moscow immediately, but decided to start the war by calling The Board. Also, the boys would be hurt if he didn't inspect what they'd done during his absence. After a hasty, Russian-style dinner of caviar, cabbage and cold horse with a gold flagon of vodka, he ordered Azazel, Flag Bearer and Statistician Chief, to call a meeting in the throne room.
Little Cletus waylaid his big boss. The scout among the celestials looked like a chubby cherub what with his dimpled cheeks and curly black hair, but he'd proved to be the trickiest imp south of the pearly gates. Knowing that Raphael had cajoled the little imp into revealing something of the improvements in Hades, Nick suspected treachery by one of his most trusted scouts.
"I hear you've been seeing Raphael!" he barked.
"Aw, I told 'im a pack of lies," Cletus scoffed. "Maybe Rafe figured out something; he's a smart apple. I told 'im everybody here is hot and unhappy like you ordered me to say if they ever caught me. I said our air-conditioning system goes haywire and that we were ripping out a thousand old boilers and coolers. Stuff like that."
"Don't lie to me, you ornery little brat. Okay to anybody else but not to me. I happened to hear Rafe talking to Mike, and they're wise to my plan of making Hell attractive."
"Well, hell," Cletus protested, "they saw Mulcie's gangs fixing the road. If Rafe and them extra-extrapopulated that dope to figure out the truth, why blame me?"
"We'll forget it," Nick said, vastly relieved to believe his scout had not betrayed him. "I have a job for you. I'm going to Moscow and I want your help. Light out as soon as you can. Requisition as much gold as you can handle by the usual translation method, and include a sack of polished diamonds and rubies. I'll tell Mammon it's okay when I arrange for my own supply."
"Okay, boss. Where do we meet? And what am I supposed to look like, and do?"
"Make yourself bellhop size and register at the Droshky Hotel as Prince Navi from Baghdad with fifty Persian oil wells to sell. Let 'em see your gold and jewels. And, remember, you'll account for any dough you toss away to women and bribes. Get going!"
Nick could see into the _near_ future, at least, and he chuckled after Cletus vanished through the wall. "The little devil doesn't know what's in store for him."
In the throne room, sage old Beelzebub sat at the right of His Majesty's chair; huge Moloch with his evil grin and snaggle teeth, at the left. Tall, prissy Azazel, always acting important, planted Satan's flag and then sat down at a table opposite wide-shouldered Mulciber and handsome Belial. Charter members all of the original organization booted out of Heaven some eighteen million years ago when Nick's first but not last rebellion flopped.
After the customary ritual of renewing their vow to get back to Heaven, the gang sat down. Nick rapped the arm of his throne and glared at Chemos, the lustful one.
"Cheme," he said, "if you will quit flirting with Astarte, The Board will take up business."
Belial snickered when the culprits' red faces grew even redder, and after a wink at the court wit, Nick went on: "I intend to take off for Moscow after a quick look about with Mulcie and Belial. Incidentally, my compliments on the good work you did on the road."
"Egad, boss," Moloch complained, "why can't you stay home more and line things up for us?"
"Time enough--" Nick sniffed, scowled, then pointed toward a thick pillar near the rear of the big room. "I smell an interloper. Thammuz, Dagon, drag 'im up here! Beel, I fancy he's the one who forged your signature."
Beelzebub rose in anger when a shadowy figure darted for the door. The intruder moved as fast as any wraith but the two former gods were too quick for him. A brief struggle, then they dragged the eavesdropper before the throne where they held him upside down.
"It's the Paperhanger!" Beelzebub roared.
"I guessed that from Charon's description," Nick said calmly. "He's siding with the Reds again--Smell him? Stand up, Adolf, and hear your sentence!"
"I didn't do a thing, Your Majesty," Hitler began, but the hot, glowing eyes were too much to face. His knees buckled and he sank, groveling, on the floor. "Didn't I send you millions of customers?" he wailed. "Haven't I done a good job of sweeping out and collecting garbage? Have a heart, Nick. I came in here to sweep, and how would I know about this private conference?"
"You talk about hearts?" Nick flared. "You hung around to listen. You forged Beelzebub's signature on my official paper, then put Charon in charge of the bridge, thinking he's too dumb to report any Commies coming here."
"You get the same chance at that which you gave people in Berlin. Down the chute with him, boys!"
The chute, connecting with a main one leading down to the burning lake, has a flap which Belial gleefully lifted. Since shades have no mass worth mentioning, the long duct acts like a department store vacuum tube.
"Oh, my beloved emperor, forgive me," Adolf yelled as he felt the suction. "I only wanted to organize a counter-revolution against the Communists and--"
"Ratting on your pals again, eh?" Nick sneered. "You stay in the burning lake a thousand earth years. You'll have plenty of time and company for your plotting. Let 'im rip!"
"No! I'll be forgotten--"
"No one remembers you now except as a dung heap." Nick turned a thumb downward, and the screeching shade vanished.
"Like a paper towel in a gale," Belial said as he let the flap clang shut. "How'd that creep get a job where he could snoop?"
"My fault," Beelzebub admitted. "He's a smooth talker. I saw him not long after you left, Your Majesty, when I went out to inspect the garbage incinerator. He had shaved off his dinky mustache and changed the color of his eyes, but I recognized him."
"It's okay, Beel." Nick patted the heavy shoulder of his top assistant. "The punk did us a left-handed favor in bringing things to a head." He told of how Charon had discovered the Red plot, then outlined his general plan.
"Those Commies can't stand ridicule," Nick summed up. "While I'm gone I want every Communist son tossed into the burning lake. Alarm all guards and tell them how to identify them--the fragrance of sweet peas with an underlying stink. No one in the USSR has used up a cake of soap in twenty years, and the perfume they add can't quite cover the BO."
"Must be a lot of Commies here," Mulciber commented. "How many guards have we, Azzy?"
Azazel, Statistics Chief, glanced at a roll of incombustible microfilm, and cleared his throat. He liked being called upon, and since he had the history of every shade while on Earth, he was the second most feared devil in Hades.
"After promoting the last batch who qualified for better jobs during the minimum millennium at common labor," Azazel said, "and adding--"
"Never mind the commercial!" grouchy Moloch roared. "Boss, how do we know all our guards are to be trusted?"
"We don't," Nick said. "When did we ever trust anybody? But our system of checkers, checkers checking the checkers, super-checkers on up to charter members, hasn't failed yet."
"If His Eminence, The Corpse-Snatcher, is satisfied," Azazel said, smoothing his sleek black hair, "I shall answer Prince Mulciber's polite question. We now have on the guards' roll exactly thirteen million four hundred--"
"That's close enough." Plainly pleased with his title, Moloch grinned at the big engineer. "Mulcie, why not build a chute straight up into Moscow? Save the boss trouble. He could take along a few gorillas and toss all those troublemaking stinkers straight into a hot bath."
Nick joined in the laughter. "Trouble with that, Molly, The BBU wouldn't stand for it. Only Death can give the final sting, and even he has to wait for the call. Our game is to play it cagey, stick by the few rules The BBU laid down, and stay out of trouble."
"How do you aim to handle those fellas?" Belial asked.
"Tell you after I do it." Nick guessed the fun-loving Propaganda Chief wanted to go along, but decided Cletus would be a better assistant in a plan already formulated. A boon companion, Belial, for any nefarious project. True, he had the quickest wit of the lot, but had worked over-long in the advertising racket, and many of his schemes resembled those of a hen on a hot griddle.
Nick turned to the secretary. "If you have all this down, Asta, I'll consider a motion to adjourn."
It was an hour short of midnight and snowing in Moscow when Nick landed in the printing room of Pravda, the official Red journal. As he had calculated, several sample newspapers had been run off.
Vichy Volonsky, a short, roundheaded man, had held up the rest of the issue while he studied the content through his nose-glasses. Editor Blochensk and the mechanics anxiously awaited the great man's verdict. An unfavorable one meant the concentration camp for everybody. As Minister of Culture, Volonsky previewed all news personally when not running errands for Andrei Broncov at a meeting of the Inner Council.
The Number Two ranking man in the Kremlin clique frowned most frighteningly, then, moved by an odd compulsion, walked into a sound-insulated telephone room. He closed the door and stared at it stupidly while looking through the invisible Nick.
"Why did I come in here?" he said. "There's only the usual bilge in the sheet, nothing to telephone the fat slob about. Yet something made me."
"I did," Nick said, suddenly visible. "When I finish, Pravda will never be the same again. Lie down, Vichy!"
Volonsky opened his mouth, but Nick wiggled a finger, and no yell came out. In the wink of an eye, he squeezed out the Minister's shade and took its place.
"Pretty cramped and smelly quarters," Nick told himself, "but do or die for good old Hades."
"What? Who are you?" Volonsky's phantom teeth chattered. "You must be Nick, himself."
"Russia's patron saint till you amateurs took over. I have business with your boss. I mean Andrei Broncov. Not that it matters, but who conceived the idea of deposing Satan? Talk, _mujik_, and tell the truth. All of it."
"Blame Broncov, not me," Volonsky pleaded. "It was his scheme to kill off several thousand loyal party comrades. They got a choice: Be tortured to death, or die quickly and work for a revolution in Hell as soon as they arrived. Naturally--"
"I've heard enough, rat." Nick spat contemptuously, and a puff of gray smoke spread rapidly over walls, ceiling and floor. "That will hold you," he jeered, and opened the door. Aping the Minister's important waddle, he walked over to the great press.
Editor Blochensk stared with fear-bulged eyes. "Anything--anything wrong, Your Excellency comrade?" he asked shakily.
"Nothing I can't fix."
"Oh!" The editor clutched his throat. "Thank--uh--uh--"
"Never mind, I know Who you mean." Muttering words in Hell's silent language, Nick walked completely around the press. "It's perfect, Blochy. Don't let the content worry you. It's part of The PLAN. Roll out your papers and deliver them fast. Don't question anything. Orders from--you know."
Only minutes ahead of the new Volonsky, Cletus had entered the lobby of the Droshky Hotel on Red Square. The cherubic scout had obeyed orders and made himself bellhop size, large size. He didn't exactly resemble the one in the cigarette ad but he had the kid's twinkle in his dark eyes. And he had already latched onto a luscious blonde; or, more likely, Nick concluded, the reverse.
Having just registered as a Persian prince, Cletus again clanked down a large sack of gold pieces and a smaller one of jewels. "Put these diamonds and rubies into your best safe," he ordered in perfect Russian.
The clerk's eyes began popping, so did the blonde's and those of a score of spectators, including four hard-faced MVD boys.
"And I'll take care of you, Honey-Navi," the blonde said.
"Ah, you just love me for my two billion dollars," the imp retorted, and winked at her. As did Nick, Cletus could plainly see the twist operated on the MVD payroll as well as in her own interests.
"I'm selling out my fifty oil wells," he announced, "and I've come to town to see the head man, whoever he is today. I thought I'd let you dumb _mujiks_ bid for the wells before I practically give them to Super-San Oil company for a measly two hundred million dollars."
"Of course, Prince Navi," the clerk said loudly. He nodded toward the four tough lads who, likewise, had not yet noticed the great Volonsky.
Nick rapped on the counter with his six-carat diamond ring. "How about a little service here, comrade?"
"One moment, comrade," the clerk said nervously.
"What you mean, one moment?" Nick roared. "I haven't flown all the way from New York to have a two-bit clerk tell me to wait. I represent Super-San Oil and I'm here to meet a Persian Prince Navi."
"Quiet, Amerikaner, till--Oh, Your Excellency Comrade Vychy Volonsky!" The mouth of the astonished clerk fell open. Then, fearful of making a wrong move in the Red game of dirty politics, he failed to guess why the great one should act as a miserable capitalist. "A thousand pardons, Your Excellency Comrade. What can I do for the beloved comrade? I didn't recognize you--"
"Hush, fool!" Nick looked toward Cletus just then gazing into the blonde's blue eyes.
The four MVD agents went into a quick huddle, then the one with a broken nose bowed to the fake Volonsky. "If Your Excellency Comrade will step aside with us, we'll explain this fool's mistake."
The story opens not in Hell's traditional flames but in a bureaucratic renovation. Lucifer, returning from a year's holiday as a college boy, surveys a highway rebuilt by his engineer Mulciber: a primrose-lined path now surfaced with glare ice, complete with roadhouses and a flat fee of ten thousand drachmas. The narrator's tone is dryly amused, noting how phantom pilgrims slide downhill "having a swell time" while unaware of the hidden charge. This initial scene establishes a Hell that runs on management principles—propaganda, infrastructure, and hidden fees—rather than brimstone.
From this cosmic vantage, the story descends to Earth. Nick (as Lucifer calls himself) lands in Moscow, where the satire shifts from infernal administration to Soviet bureaucracy. The excerpts suggest the tale's engine is the collision between two systems of control: Hell's ancient hierarchy and the Soviet state's paranoid surveillance.
Hell as a Modernized Corporation
The opening paragraphs present Hell as an organization undergoing a top-down efficiency drive. Nick orders road repairs, Mulciber installs freezing plants, and Belial adds advertising. The highway becomes a theme park: "raw Chaos climate" adjusted to 72°F, a "balmy fragrance of fruits and flowers" masking the true destination. This is not a place of eternal torment but a managed experience, complete with a flat fee ("ten thousand drachmas") and a propaganda chief. The narrator's voice is wryly clinical, describing "the engineer's genius" and "foxy old Mammon" as if reporting on a corporate retreat. Readers should note how the story uses managerial language—"improvements," "modernize," "Transportation Charge"—to deflate the supernatural. The humor depends on recognizing the gap between the infernal and the bureaucratic, a gap the story will exploit further in its Soviet setting.
Disguise and Surveillance in Moscow
Once Nick arrives in Moscow, the story shifts to a cat-and-mouse game with the MVD. Lieutenant Putov and his agents shadow a prince named Navi, who is actually Cletus, a demon in disguise. The hotel lobby scene bristles with double meanings: Nishka, a female agent, flirts with Cletus while reporting to Putov; Nick pretends to be a comrade while speaking "Hell language" in a wired car. The excerpts show a layered performance—Nick plays the Soviet official, Cletus plays the wealthy prince, and both are aware of the surveillance. The reader is invited to watch the watchers. The dialogue is clipped and knowing: "Skip the commercial," Nick says, using Moloch's favorite expression. The story's pleasure lies in seeing how infernal cunning outmaneuvers earthly security, but the excerpts leave unclear whether the Soviet system is merely a foil or a genuine threat.
The Kremlin Encounter
The final excerpted scene takes place in Premier Andrei Broncov's private study, a room with a desk "almost large enough for a roller skating rink." Nick and Cletus are ushered past six guards with sub-machine guns, and Broncov pretends to study a document while waiting to be announced. The power dynamics are theatrical: Broncov smiles at Cletus, apologizes for "preoccupation with affairs of state," and glares at the guards. Nick reads the guards' thoughts ("the brainless pup") and snarls inwardly. The scene suggests a meeting of equals—or near-equals—but the excerpts cut off before any deal is struck. Readers should note the story's reliance on inside knowledge: Nick's mind-reading, the Hell language, and the references to Volonsky and Gorkzy. The incomplete excerpt leaves open whether the satire targets Soviet paranoia, infernal ambition, or both.
Voice and Ironic Distance
Bennitt's narrator maintains a consistent ironic distance, undercutting both Hell's grandeur and Earth's pretensions. The opening describes Lucifer's "X-ray eyes" and "largish ears" with deadpan specificity. Later, the MVD agents are "worried looking plug-uglies," and Broncov's study is compared to a roller skating rink. The story uses anachronistic details—drachmas, fifth-dimensional travel, a "year's holiday as a college boy"—to keep the reader off-balance. The prose is brisk, favoring short paragraphs and dialogue that advances the plot. Readers should watch for the way the narrator withholds judgment: the story never explicitly condemns or endorses either Hell or the Soviet Union. Instead, it presents both as systems of manipulation, with Nick as the most competent manipulator. The excerpts suggest a tale that rewards attention to its verbal play and structural parallels.
These excerpts reveal a story that uses Hell as a lens to examine power, bureaucracy, and disguise. The incomplete text leaves key questions unanswered—what deal does Nick propose? Does the Soviet Council accept?—but the available scenes show a writer confident in his satirical premise. Readers should attend to the story's tonal shifts: from the broad comedy of sliding pilgrims to the tense hotel lobby to the formal Kremlin study. The pleasure lies not in the plot's resolution but in watching two elaborate systems of control mirror each other. Bennitt's Hell is a corporation; his Soviet Union is a paranoid state; and Lucifer, as always, is the wild card.
This book brought back sitting in my grandfather’s study, watching him smirk at Bennitt’s infernal machinery. The overlap of two suffocating systems felt familiar—like when I first found that other odd comedy, John Dene of Toronto: A Comedy of Whitehall — A Reader’s Guide, and realized bureaucratic absurdity needs no devil, only competent men. Quiet amusement, then.
Benjamin Brown
1 week agoGabriel Lee
2 weeks agoGabriel Carter
1 week agoAnthony Hernandez
1 month ago-
Jeffrey Stokes - 1 month ago
Satan And The Comrades is a thought-provoking allegory that weaves together political intrigue and supernatural elements. The author's vivid prose brings the characters to life, and the philosophical questions raised are profound. The tension builds masterfully, leading to a satisfying conclusion. A unique blend of genres that will leave readers pondering long after the last page. -
Jennifer Fleming - 4 weeks ago
Satan And The Comrades is a disjointed narrative that fails to engage. The metaphors are heavy-handed, and the characters are one-dimensional. The plot meanders without a clear direction, and the writing often feels pretentious. I struggled to finish it. If you're looking for a coherent and compelling story, this is not it. -
Anthony Reginald Johnson - 3 weeks ago
Satan And The Comrades has a compelling premise, mixing political satire with the occult. Some parts are brilliantly written, especially the dialogue, but the pacing lags in the middle. The ending is somewhat ambiguous, which might not appeal to all readers. Still, a decent read for those interested in political allegories.
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Evelyn Lopez
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