The Long Arm — A Reader’s Guide

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Nabl, Franz, 1883-1974, House, Roy Temple, 1878- [Adapter] Project Gutenberg 2010 Not confirmed
Short stories; Germany -- Fiction; Horror tales; Paranormal fiction Readers of public-domain and historical texts
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Words 7,902
Reading time 35 min
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A returned expatriate reunites with a childhood acquaintance who claims to possess a deadly psychic power, leading to a confession of three murders and a chilling exploration of guilt and madness.
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Father was delighted and made him a present of a silver cigarette case with Gustav's initials and mine engraved on it. I remembered all this very distinctly as we shook hands, but I was doing fast thinking, because for the life of me I couldn't remember his strange last name. I had a feeling that it was a very foreign name, Polish or Croatian or something of the sort. As he mentioned this and that, I fear I answered him a little absently and incoherently. The name was almost there. The syllables flitted tantalizingly just out of my reach. But I was sure the name began with a B. Wasn't it a Bam- or a Ban-something? Ah! I had it. Banaotovich!

From that moment the conversation went more easily. I was surprized and pleased when Banaotovich drew his silver cigarette-case out of his pocket to prove to me how highly he thought of my poor deceased father. We were soon launched on a cordial exchange of childhood memories. Banaotovich seemed a good-hearted fellow after all, and I wondered why in my childhood I had never been quite comfortable in his company. I remembered that other boys of the group had admitted to me confidentially that they were more than a little afraid of him.

The longer we talked the more intimate, the more in the nature of a mutual confession, our conversation became. I admitted to Banaotovich that the hifalutin fashion in which I had left the town to win fame and fortune years before, had been asinine in the extreme, and that it served me just right to have to sneak back unknown and penniless. Banaotovich rejoined that for all his pride in his school marks he had remained a person of no importance, and that the pot had not the slightest intention of making itself ridiculous by calling the kettle black. He seemed almost painfully inclined to run himself down. I could feel in his manner a sort of pathetic reaching out for sympathy and consideration. And it began to seem as if he were about to tell me something or ask me for something. But whatever he had to tell seemed hard to say, and it was slow in coming over his lips.

Banaotovich ordered two bottles of the heavy native wine. I drank sparingly of it, because it goes to my head. But Banaotovich swallowed two or three glassfuls in hasty succession, and his cheeks grew flushed. There was a pause. Suddenly he leaned across the table toward me and spoke in a hoarse, excited whisper.

"Modersohn," he said anxiously, "I want to make a confession to you--a terrible confession. It may turn you against me completely. Maybe you don't want to hear it. If you don't, say so, and I'll go home. But it seems as if I've got to tell somebody about it. It seems as if I've got to find somebody who understands me and can excuse me, or it will kill me. Shall I tell you? Shall I?"

I was startled. I was reasonably sure that Banaotovich was no criminal, since he had lived half a century in his native city, undisturbed and from all he had told me solvent and respected. I had always known that he was a queer fish, a brooding, solitary sort of person, and I settled myself to listen to some harmless bit of psychopathy which meant nothing except to the unfortunate subject.

"My dear fellow," I said, no doubt a little patronizingly, "I am sure you haven't anything to confess that will make you out an outrageous rascal, but if it will do you any good to tell me your troubles, I am ready to listen to them."

"Thank you," said Banaotovich in a trembling voice. "I've done nothing that they can put me behind the bars for. But I--I----"

He stared at me sternly.

"But I've done worse things," he said solemnly, "than some poor fellows that have been strung up by the neck and choked to death!"

I laughed, a little nervously. "Tell me your story, if you like," I said, "and let me decide just how black you are. But I haven't a great deal of apprehension. We're all of us poor miserable sinners, as far as that's concerned. I could tell you things about myself----"

Banaotovich was not listening to me at all. He had fallen suddenly into a fit of black brooding. After a minute or two, he looked up and asked sharply:

"Do you remember Wolansky?"

Wolansky was the Greek professor who had threatened to vote against Banaotovich when he was finishing his course at the Gymnasium.

"Of course," said I. "And I remember well how he abused you that last year. If there ever was a cantankerous old scoundrel, Wolansky was just that identical individual!"

"Maybe," he said absently; then after another pause:

"Do you remember that Wolansky died suddenly, just a little while before the end of the school year?"

I nodded. "I imagine that was a great piece of good luck for you," I said.

"Yes," said Banaotovich. "If he had lived, I should never have had my diploma. As it was, I finished with honors. If Wolansky hadn't died when he did, I'd have been ruined. Don't forget that--ruined!"

I was puzzled at his insistence. "Yes, you would have been seriously handicapped," I agreed. "Ruined is the word, perhaps."

Banaotovich's face was purple with wine and some strange kind of suffering. "Do you remember another thing?" he said thickly. "Do you remember an old Hindoo who had a dark little hole away back of the shops and the beer depot and the livery stables between the Old Market and the river?"

"The old fellow that had love charms and told fortunes and helped people to health and wealth and happiness?" I said in a tone of slightly forced cheerfulness. It was hard to be cheerful with those somber eyes boring into you. "Yes, I remember him, all right. I wanted to go and see him once, when I was about fifteen or sixteen, but Father told me that meddling with the black art had sent more people to hell than it had helped. And Father was so terribly earnest about it that he frightened me. I never went. As a matter of fact it was only a passing fancy, and I soon forgot all about him."

"That Hindoo," said my old school-fellow thoughtfully, "knew things about the secret forces in the universe that made him almost a god. And he taught me things that the wisest philosopher in the world doesn't suspect. Still, your father may have been right. I think it very likely that what he taught me may send me to hell!"

I shivered. I looked up nervously to make sure that the way was clear to the door. I began to suspect that my friend Banaotovich, though he was certainly not a criminal, might be a dangerous lunatic.

My _vis-à-vis_ rubbed absently at a protuberance on his left side. I had noticed it when he first came across the room to speak to me. A deformity--I was sure it had not been there when he was a boy--or perhaps a tumor or some such thing as that.

"I kept very quiet about what the Hindoo taught me, because I knew most people felt about such things much as you say your father did. And I wanted to get on in the world. But I had an idea the Hindoo could help me get on. Perhaps he _has_----"

And he stared gloomily at space.

"Perhaps he has. And perhaps he hasn't."

He brooded. Then he took up the thread of his story.

"Wolansky nearly drove me to suicide. I read and studied and crammed, day and night. I tried everything I could think of to overcome the man's antagonism. I crawled in the dust before him like a whipped cur! Nothing did any good. And when I saw he hated me and was determined to smash me, I began to hate _him_, too. I came to hate him worse than I hated the devils in hell. There was a time when I had to hold myself back with all my strength to keep from sticking a knife into him or braining him with a chair. But the Hindoo and I made some experiments with telepathy, and I discovered that there are other ways of killing a man besides stabbing him or giving him poison.

"I learned how to make a man in front of me on the street turn around and look at me. I learned how to make _you_ dream about me and come and tell me the dream the next morning," (when he said that, I jumped, for I remembered having done exactly that thing!). "I learned how to bring out a bruise on Wolansky's face although he lived on the other side of town; so that he went around asking people how he could have bumped his forehead without knowing it. And at last I went to bed one night, set my mind on Wolansky, and said over and over to myself a thousand times: Die, you dog! You've _got_ to die! I _order_ you to die!

"I said it over till I fell into a sort of trance. It wasn't sleep, I tell you. You can't sleep when you are in a state like that. And in my trance, I could feel another arm grow out of my side here and grow longer and longer, and grow out through the window although the window was closed, and grow out across the street and down the street and right through the walls and across the river.

"I had never known where Wolansky lived. But that night I knew. I had never known the street or the house number. I had never been there in my life. But I can tell you just exactly how his bedroom looked. The wash-stand between the two windows, the work-table against the west wall, the wardrobe, the old divan against the north wall. In a corner the blue-gray tiled stove with some of the tile chipped off. And against the south wall--the bed he lay in. I can tell you the color of the blanket he pulled up over his face. It was a dirty brownish red.

"But my hand seemed to go through the blanket and grip Wolansky by the throat. First he sighed and turned his head to one side and tried to wriggle free. Then he raised his arms and tried to get hold of something that wasn't there. His sighs turned into groans, and the groans changed to a death rattle. He threw his arms and legs wildly around in the air, his body bent up like a bow. But my hand held his head down against the pillow. At last he quit struggling and dropped down limp on the bed. Then the arm came crawling back in to my body, and I came out of the trance--and went to sleep--or perhaps I fainted.

"The next morning the director came into our classroom and told us Wolansky had died in the night of some sort of attack. You remember that, I am sure----"

When Banaotovich began to tell me this story, he had looked away from me, and his eyes never met mine during the telling. He had begun with a painful effort, but as he went on he grew more and more excited and more and more inflamed with hatred of the malicious old Greek teacher, till it almost seemed as if he had forgotten me and was living the astounding experience through for himself alone. When he was through, his ecstasy of indignation left him and he sat dejected and apprehensive, studying me pitifully out of the corners of his deep gray eyes.

When he stopped speaking, there was a moment of silence. Then I said something. I think what I said was, "Very extraordinary!"

He smiled, a strained, sarcastic smile. "Extraordinary?" he repeated, with an interrogation point in his voice.

"Your nerves were strained to the breaking-point," I said. "Your trouble with the old rascal had driven you half distracted. Then there was all that occultistic hodgepodge with the old Hindoo. And you were overworked and run down, anyway. No wonder you dreamed dreams and saw visions. And it may have been that there was some telepathic contact between you and Wolansky, and when he had his apoplectic attack----"

The sarcastic smile deepened on Banaotovich's face. "So you have it all explained, and I'm acquitted?" he inquired.

"Acquitted?" I cried. "You were never even accused. If the state were to bring action against every man who had a feeling that he would be happier if someone else were out of the way, the state would have a big job on its hands!"

"Very true," Banaotovich assented icily. "I see I haven't got very far with you yet. You are forcing me to continue my not very edifying autobiography.--Did you know my father?"

I remembered his father, and I remembered that he had not enjoyed the best possible reputation.

"I think I knew him," I said hesitantly. "He was a--a money-lender, wasn't he?"

"Don't spare my feelings," said Banaotovich bitterly. "He was a usurer, and a cruel one. I had a feeling for years that his business was a disgrace to the family, and I made no bones about telling him so. There were ugly scenes. I thought several times of leaving home. Finally, Father told me one day that since I didn't approve of the way he got his money, he was doing me the favor of disinheriting me. I told him that was all right with me, that I'd rather starve than live on money that was stained with the blood of poor debtors.

"I thought at the time that I meant it. But about that time I had become interested in a young woman. I had never had much to do with the girls, and very few of them seemed at all interested in me. But this one appeared to like me, and when I made advances to her, she didn't repel me. I am no connoisseur of female beauty, but I think she was unusually attractive, and at that time I was half mad about her. Still waters run deep, you know.

"Well, she had me under her spell so completely that I changed my mind about Father's money. I began to truckle to him, much as I had truckled to Wolansky. I began to feel him out to find whether he had made a will. He was very cold and non-committal. Finally I asked him outright if he would reconsider his decision to leave me penniless. He told me it was I that had made the decision, not he, and that he had no use for wishy-washy people that changed their minds like weather-cocks. He was very sarcastic. I lost my temper and answered him back. We had a terrible quarrel, and finally he--he struck me. I was twenty years old and a bigger man than he. And I think no man ever had more stubborn pride, at bottom, than I have.

"It was the Wolansky thing all over again. The humiliation, the effort at ingratiation, the failure, the long, eating, gnawing, growing hatred. And it--it ended the same way. The night of brooding that hardened into a devilish decision, the vision of the long arm, growing, stretching, crawling--but not so far this time, only through two walls and across our own house. You remember that Father died of an apoplectic stroke, just as Wolansky had done a year or two before."

"Yes, I think I remember," I said in considerable embarrassment. The thing _did_ begin to look uncanny. I was thoroughly sorry for the poor, cracked fellow, but I would just as soon not have been alone with him in that solitary drinking-place in the twilight.

"Well?" he said, almost sharply.

"Well, Banaotovich," I answered with a show of confidence, "you have had a great deal of unhappiness, and you have my sympathy. This strange faculty you have of anticipating deaths, like the night-owls and the death-watch that ticks in the walls, has made these bereavements an occasion of self-torment for you. I think you should see a psychiatrist."

"Anticipating--anticipating?" Banaotovich had gone back and was repeating a word I had used, and as he repeated it he drummed madly on the table with his fingers. "It's a curious coincidence that 'anticipating' is just the word my wife used when I told her about it."

"You--told--your wife--what you have just told me?" I stammered. "Do you think that was wise?"

"I couldn't help it," he said with a catch in his throat. "I thought I loved her, and I had to talk to somebody. I was miserable, and I had a feeling that she might understand and be brought closer to me by sympathy. Now that I think of it, I can see that I was an egregious idiot, but I discovered long ago that we aren't rational beings after all. We are driven or drawn by mysterious forces, and we go to our destination because we can't help it.

"My wife had always seemed a little timid with me. I never seemed to have the gift of attracting people. And I don't know whether she would ever have been interested in me at all if I hadn't used a little--a little charm the Hindoo taught me. Perhaps that didn't have much to do with it--but I had never been happy with her. However that may be, one evening when she seemed unusually approachable, I had just the same impulse that I had when I met you here tonight, and I told her about Wolansky and Father. She pooh-poohed it all just as you did. But she was afraid. I could see that. She was more and more afraid of me as the days went by. For a long time she tried to be cordial and natural in my presence, but it was a sham and the poor thing couldn't keep it up. Each of us knew as well what was in the mind of the other as if we had talked the situation over frankly for hours. We reached the point where we couldn't look each other in the face. No solitude could have been as ghastly as that solitude of two people who shared a revolting secret. For I had convinced her that I was guilty. I had succeeded in doing what I had set out to do, and I had ruined two lives in doing it. I have the faculty, it seems, of poisoning whatever I touch. Only today, my wife said to me----"

I started to my feet with a great rush of relief and thankfulness. "Ah, your wife is alive, then?" I cried.

"My wife is alive. That is--my _second_ wife is alive," he said, with a horrible forced smile.

I sank back gasping. "What did you do with your first wife, you dirty hound?" I moaned in helpless indignation.

He closed his eyes, and a wave of bitter triumph played about the muscles of his mouth. "Have I convinced _you_ too, at last?" he said.

Then I realized that I had been an insulting idiot. At worst, the man before me was a pathological case, and he certainly belonged in an asylum rather than in a prison.

"Forgive me, Banaotovich," I panted. "I don't know what made me----"

He looked at me sadly, almost compassionately. "There is nothing to forgive," he said, very quietly. "I am all you called me and a thousand times worse. Now let me finish my story."

"You don't need to," I said hastily. "I know all the rest of it."

All interest, I am afraid nearly all sympathy, had gone out of me. What I wanted most of all was to get away from this melancholy citizen with power and madness in his gray eyes.

"No, you don't know quite all of it yet," he insisted. "Perhaps if I tell you the whole story, even if you can't excuse me--and I don't deserve your excusing, I don't _want_ your excusing--you can understand me a little better, and think of me a little more kindly.

The story opens with a narrator who, after thirty-five years abroad, returns to his Bavarian hometown as poor in pocket and poorer in illusions. The first-person voice is weary and self-aware, describing himself as a “bewildered ghost” wandering familiar streets. This melancholic tone sets the stage for a reunion with Gustav Banaotovich, a former schoolmate whose reputation for brilliance was overshadowed by a conflict with a professor. The narrator’s initial detachment—he recognizes no one and is recognized by no one—makes the sudden encounter all the more jarring.

The Weight of a Confession

The narrative hinges on Banaotovich’s confession, delivered in a dingy coffee-house. His speech is marked by hesitation and fractured syntax: “she went—too—like——” and “I haven’t been as—as bad as this sounds like.” These verbal breaks mirror his psychological unraveling. The narrator’s reactions shift from sympathy to horror, culminating in the outburst: “What did you do with your first wife, you dirty hound?” This raw accusation contrasts with Banaotovich’s quiet, almost clinical description of his power—a “long arm” that can kill at a distance. The dialogue reveals a man who both craves understanding and expects condemnation.

The Language of Guilt and Madness

Banaotovich’s vocabulary oscillates between self-justification and self-loathing. He speaks of “poisoning whatever I touch” and describes his first wife’s terror as making him “physically sick.” The narrator, too, uses visceral language: “I sank back gasping” and “moaned in helpless indignation.” This shared diction of disgust and physical revulsion underscores the story’s psychological horror. The confession is framed as a therapeutic act—Banaotovich insists on telling “the whole story” so the narrator can “understand me a little better”—yet the details only deepen the sense of moral contamination.

Setting as a Mirror of the Mind

The Bavarian city is described with precise, nostalgic detail: “quaint old,” “winding narrow street,” “sharp-gabled building.” Yet the narrator’s return is marked by disorientation; he wanders “in a dream” and takes refuge in a “dingy little coffee-house” that remains unchanged after half a century. This static setting contrasts with the narrator’s inner turmoil. The rain, beating “smartly on the pavement,” creates a claustrophobic atmosphere that mirrors the oppressive weight of Banaotovich’s secret. The coffee-house becomes a confessional, its gloom and smoke amplifying the sense of entrapment.

Unreliable Narration and Unresolved Horror

The narrator’s reliability is subtly undermined. He admits to being “an insulting idiot” and later loses sympathy, wanting only to escape. His initial relief at learning Banaotovich’s second wife is alive (“Ah, your wife is alive, then?”) is immediately crushed by the revelation of the first wife’s fate. The story leaves key questions unanswered: Is Banaotovich’s power real, or is he delusional? The narrator never verifies the claims, and the confession ends with Banaotovich sobbing hysterically. The ambiguity—whether the “long arm” is supernatural or a metaphor for psychological manipulation—is the story’s central, unsettling device.

Readers should attend to the story’s careful construction of dread through dialogue and setting. The first-person narration offers no external validation, leaving the truth of Banaotovich’s power suspended. The horror lies not in explicit violence but in the slow, insidious revelation of a mind that has convinced itself of its own monstrosity. The title’s “long arm” may reach beyond the page, implicating the reader in the narrator’s uneasy complicity.

That returned-expatriate book stayed with me, not for the murders, but for how quietly guilt can hollow out a person’s whole life. It made me think of another one, Making People Happy — Background and Themes, where the ache is quieter but just as heavy. Both felt like someone whispering a secret they’d never told anyone.

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  • ...
    Kristy Hunt - 3 weeks ago
    {'review_type': 'neutral', 'content': "The Long Arm is a decent mystery with an intriguing premise. The main investigation is well-crafted, but the subplots feel unnecessary and slow the pace. The ending is satisfying, though some clues are revealed too early, reducing the suspense. Overall, it's a serviceable read with a strong central plot."}

  • ...
    Cassandra Hill - 2 weeks ago
    {'review_type': 'positive', 'content': "The Long Arm is a masterfully written mystery that keeps you guessing until the very end. The twists are cleverly executed, and the pacing is relentless. The protagonist is relatable, and the supporting cast adds depth. The author's attention to detail creates an authentic and immersive world. This is a must-read for fans of detective fiction - it's engaging, smart, and impossible to put down."}

  • ...
    Caroline Miller - 1 week ago
    {'review_type': 'negative', 'content': "The Long Arm disappoints with a formulaic plot and predictable twist. The characters are flat archetypes, and the dialogue is stiff. The pacing drags in the middle, and the mystery is resolved too conveniently. For fans of the genre, this feels like a rehash of better works. There's little here to elevate it beyond average."}


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