Say and Seal, Volume I — Key Ideas to Explore

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Warner, Susan, 1819-1885, Warner, Anna Bartlett, 1824-1915 Project Gutenberg 2009 Not confirmed
Christian life -- Fiction; Physicians -- Fiction; Teachers -- Fiction; Mothers and daughters -- Fiction; Courtship -- Fiction Readers of public-domain and historical texts
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Words 160,594
Reading time 699 min
Text sections 15

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The opening chapters of this 1860 novel establish a quiet New England town, a new schoolteacher, and a doctor's spiritual curiosity, with the preface wryly noting its length and dual authorship.
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The street was broad, with sidewalks, and wide grass-grown borders, and a spacious track of wheels and horses' feet in the centre. Great elms, which the early settlers planted, waved their pendant branches over the peaceful highway, and gave shelter and nest-room to numerous orioles, killdeer, and robins; putting off their yellow leaves in the autumn, and bearing their winter weight of snow, in seeming quiet assurance that spring would make amends for all. So slept the early settlers in the churchyard!

Along the street, at pleasant neighbourly intervals--not near enough to be crowded, nor far enough to be lonely--stood the houses,--comfortable, spacious, compact,--"with no nonsense about them." The Mong lay like a mere blue thread in the distance, its course often pointed out by the gaff of some little sloop that followed the bends of the river up toward Suckiaug. The low rolling shore was spotted with towns and spires: over all was spread the fairest blue sky and floating specks of white.

Not many sounds were astir,--the robins whistled, thief-like, over the cherry-trees; the killdeer, from some high twig, sent forth his sweet clear note; and now and then a pair of wheels rolled softly along the smooth road: the rush of the wind filled up the pauses. Anybody who was down by the Mong might have heard the soft roll of his blue waters,--any one by the light-house might have heard the harsher dash of the salt waves.

I might go on, and say that if anybody had been looking out of Mrs. Derrick's window he or she might have seen--what Mrs. Derrick really saw! For she was looking out of the window (or rather through the blind) at the critical moment that afternoon. It would be too much to say that she placed herself there on purpose,--let the reader suppose what he likes.

At the time, then, that the village clock was striking four, when meditative cows were examining the length of their shadows, and all the geese were setting forth for their afternoon swim, a stranger opened Mrs. Derrick's little gate and walked in. Stretching out one hand to the dog in token of good fellowship, (a classical mind might have fancied him breaking the cake by whose help Quickear got past the lions,) he went up the walk, neither fast nor slow, ascended the steps, and gave what Mrs. Derrick called "considerable of a rap" at the door. That done, he faced about and looked at the far off blue Mong.

Not more intently did he eye and read that fair river; not more swiftly did his thoughts pass from the Mong to things beyond human ken; than Mrs. Derrick eyed and read--his back, and suffered her ideas to roam into the far off regions of speculation. The light summer coat, the straw hat, were nothing uncommon; but the silk umbrella was too good for the coat--the gloves and boots altogether extravagant!

"He ain't a bit like the Pattaquasset folks, Faith," she said, in a whisper thrown over her shoulder to her daughter.

Mrs. Derrick replied by an inarticulate sound of interrogation.

"I wish you wouldn't stand just there. Do come away!"

"La, child," said Mrs. Derrick, moving back about half an inch, "he's looking off into space."

"Not till somebody goes to the door," said Mrs. Derrick, "and there's not a living soul in the house but us two."

"Why didn't you say so before? Must I go, mother?"

"He didn't seem in a hurry," said her mother,--"and I wasn't. Yes, you can go if you like, child--and if you don't like, I'll go."

With a somewhat slower step than usual, with a slight hesitating touch of her hand to the smooth brown hair which lay over her temples, Miss Faith moved through the hall to the front door, gently opened it, and stood there, in the midst of the doorway, fronting the stranger. By no means an uncomely picture for the frame; for the face was good, the figure trim, and not only was the rich hair smooth, but a little white ruffle gave a dainty setting to the throat and chin which rose above it, both themselves rather on the dainty order.

I say fronting the stranger,--yet to speak truth the stranger was not fronting her. For having made one more loud appeal to the knocker, having taken off his hat, the better to feel the soft river breeze, he stood as before "looking off into space;" but with one hand resting more decidedly upon the silk umbrella.

Faith took a minute's view of decidedly pleasant outlines of shoulders and head--or what she thought such--glanced at the hand which grasped the umbrella handle,--and then lifting her own fingers to the knocker of the door, caused it gently to rise and fall.

A somewhat long breath escaped the stranger--as if the sound chimed in with his thoughts--nothing more.

Faith stood still and waited.

Perhaps that last sound of the knocker had by degrees asserted its claim to reality; perhaps impatience began to assert _its_ claim; perhaps that long elm-tree shadow which was creeping softly on, even to his very feet, broke in upon the muser's vision. Certainly he turned with a very quick motion towards the door, and a gesture of the hand which said that this time the knocker should speak out. The door however stood open,--the knocker beyond his reach; and Miss Faith so nearly within it, that he dropped his hand even quicker than he had raised it.

"I beg your pardon!" he said, with a grave inclination of the head. "I believe I knocked."

"Yes, sir--I thought you had forgotten," said Faith; not with perfect demureness, which she would like to have achieved. "Will you please to come in?" And somewhat regardless of consequences, leaving the hall door where it stood, Faith preceded her guest along the hall and again performed for him the office of door-opener at the parlour, ushering him thus into the presence of her mother.

Mrs. Derrick was seated in the rocking-chair, at the furthest corner from the window, and perfectly engrossed with the last monthly magazine. But she came out of them all with wonderful ease and promptness, shook hands very cordially with the new comer, seated him in her corner and chair before he could make much resistance, and would also have plunged him into the magazine--but there he was firm.

"If you would only make yourself comfortable while I see where your baggage is?" said the good lady.

"But I can tell you where it is, ma'am," said he looking up at her,--"it is at the station, and will be here in half an hour."

"Well when did you have dinner?" said Mrs. Derrick, resolved upon doing something.

"Yesterday," was his quiet reply. "To-day I have been in the cars."

"O my! my!" said Mrs. Derrick,--"then of course we'll have tea at once. Faith!"

"I'm here, mother. I'll go and see to it, right away."

But in some mysterious manner the stranger reached the doorway before either of the ladies.

"Mrs. Derrick--Miss Faith--I told you that I had had no dinner, and that was true. It is also true that I am in not the least hurry for tea. Please do not have it until your usual time." And he walked back to his seat.

But after the slightest possible pause of hesitancy, Faith had disappeared. Her mother followed her.

"Child," she said, "what on earth is his name?"

"Mother! how should I know? I didn't ask him."

"But the thing is," said Mrs. Derrick, "I _did_ know,--the Committee told me all about it. And of course he thinks I know, and I don't--no more than I do my great-grandmother's name, which I never did remember yet."

"Mother--shall I go and ask him?--or wait till after supper?"

"O you sha'n't go," said her mother. "Wait till after supper and we'll send Cindy. He won't care about his name till he gets his tea, I'll warrant. But what made you so long getting the door open, child? Does it stick?"

"Why," said Faith, baring her arms and entering upon sundry quick movements about the room, "it _was_ open and he didn't know it."

"Didn't know it!" said Mrs. Derrick,--"my! I hope he ain't short-sighted. Now Faith, I'm not going to have you burn your face for all the school teachers in Connecticut. Keep away, child, I'll put on the kettle myself. Cindy must have found her beau again--it's as tiresome as tiresome can be."

"It's just as well, mother; I'd rather do it myself. Now you go in and find what his name is, and I'll have everything together directly. The oven's hot now."

"I'll go in presently," said Mrs. Derrick; "but as to asking him what his name is--la, child, I'd just as soon ask him where he came from." And in deep thought on the subject, Mrs. Derrick stepped briskly about the kitchen.

"Faith," she said, "where shall I ask him to sit?"

"Will you pour out tea--or shall I, mother?"

"Why I was thinking--but it don't matter where you put him. There's four sides to the table."

"Don't talk of my putting him anywhere, child--I'm as afraid of him as can be." And Mrs. Derrick went back to see how time went with her guest.

It went fast or slow, I suppose, after all, somewhat according to the state of his appetite. One hour and ten minutes certainly had slipped away--if he was hungry he knew that another ten minutes was following in train--when at length the parlour door opened again and Faith stood there, with a white apron on and cheeks a good deal heightened in colour since the date of their last appearance.

"Mother, tea's ready. Cindy hasn't got back." And having made this gentle announcement, Faith disappeared again, leaving it to her mother to shew the way to the supper-room.

This was back of the parlour and communicated with the kitchen, from which Faith came in as they entered, bearing a plate of white biscuits, smoking hot, in her hand. The floor was painted with thick yellow paint, smooth and shining; plenty of windows let in plenty of light and the sweet evening air; the table stood covered with a clean brownish table-cloth,--but what a supper covered that! Rosy slices of boiled ham, snowy rounds of 'milk emptyings', bread, strawberries, pot-cheeses, pickles, fried potatoes, and Faith's white cakes, with tea and coffee!

Now as Faith had laid the clean napkin for the stranger at the foot of the table, opposite her mother, it cannot be thought presumption in him that he at once took his seat there; thus relieving Mrs. Derrick's mind of an immense responsibility. Yet something in his manner then made her pause and look at him, though she did not expect to see him bow his head and ask for a blessing on the meal before them. If that was presumption, neither of his hearers felt it so,--the little flush on the mother's cheek told rather of emotion, of some old memory now quickened into life. Her voice even trembled a little as she said,--

"Will you have tea or coffee, sir?"

And Faith offered her biscuit.

"Or there's bread, if you like it better, sir."

"The biscuits are best," said her mother,--"Faith's biscuits are always good."

And he took a biscuit, while a very slight unbending of the lines of his face said that the excellence of Faith's handiwork was at least not always so apparent.

"Miss Faith, what shall I give you in return that is beyond your reach and (comparatively) within mine?"

Possibly--possibly, the slight grave opening of two rather dark eyes confessed that in her apprehension the store thus designated, from which he might give her, was very large indeed. But if that was so, her lips came short of the truth, for she answered,--

"I don't want anything, thank you."

"Not even butter?"--with his hand on the knife.

Faith seemed inclined not to want butter, but finally submitted and held out her plate. Whereupon, having helped her and himself, the stranger diverged a little, with the rather startling question,

"What sort of a Flora have you in this neighbourhood?"

"There isn't any, mother?" said Faith, with a doubtful appeal towards the tea-tray.

A pleasant look fell upon her while her look went away--a look which said he would like to tell her all about the matter, then and there; but merely taking another of the white biscuits, he went on to ask whether the roads were good and the views fine.

"The roads are first-rate," said Mrs. Derrick. "I don't know much of views myself, but Faith thinks they're wonderful."

"I don't suppose they are _wonderful_," said Faith; "but it is pretty up the Mong, and I am sure, mother, it's pretty down on the shore towards the sunsetting."

"And how is it towards the sunrising?"

"I never saw it--we never go down there then," Faith said, with a very frank smile.

"Faith always stays by me," said Mrs. Derrick; "if I can t go, she won't. And of course I never can at that time of day. It's quite a way down to the shore."

"It's the sea-shore--that is, not the real sea-shore--it's only the Sound," said Faith; "but there is the salt-water, and it is as good as the sea."

"How far off?" said the stranger, bestowing upon Faith a saucer of strawberries.

Faith would have asked him to help himself, but taking notice mentally that he was extremely likely to do so, she contented herself with replying, "It's about two miles."

"And what are some of the 'good' things there?"

"Perhaps you wouldn't think it much," said Faith modestly;--"but the water is pretty, and I like to see the ships and vessels on it going up and down; and the points of the shore and the wet stones look such beautiful colours when the sun is near set."

"I like stones--whether wet or dry," said her questioner.

"Most people here don't like them," said Faith. "But there are plenty down by the sea-shore.--And plenty on the farm too," she added.

"Ah, people like and dislike things for very different reasons, Miss Faith," he answered; "so perhaps your neighbours and I are not so far apart in our opinions as you may think. Only I believe, that while there is 'a time to cast away stones,' there is also 'a time to gather stones together'--and therein perhaps they would not agree with me."

Faith looked up, and her lips parted--and if the thought had been spoken which parted them, it would probably have been a confession that she did not understand, or a request for more light. But if her face did not say it for her she did not say it for herself.

If anybody could have seen Mrs. Derrick's face while these little sentences went back and forth, he would have acknowledged it was worth the sight. Her awe and admiration of every word uttered by the stranger--the intense interest with which she waited for every word spoken by Faith--the slight look of anxiety changing to one of perfect satisfaction,--was pretty to see.

"Faith," she said when tea was over, and her guest had walked to the front door to take another look at 'space,' "Faith, don't you think he liked his supper?"

"I should think he would--after having no dinner," said Faith.

"But it was such a mercy, child, that you hadn't gone out to supper anywhere--I can't think what I should have done. There's Cindy this minute!--run and tell her to go right away and find out what his name is--tell her I want to know,--you can put it in good words."

"Mother!--I'd rather ask him myself."

But that did not suit Mrs. Derrick's ideas of propriety. And stepping out into the kitchen she despatched Cindy on her errand. Cindy presently came back from the front door, and went into the dining-room, but not finding Mrs. Derrick she handed a card to Faith.

"It's easy done," said Cindy. "I just asked him if he'd any objections towards tellin' his name--and he kinder opened his eyes at me and said no. Then I said, says I, Mis' Derrick do know, and she'd like ter. 'Miss Derrick!' says he--and he took out his pencil and writ that. But I'd like to know _what_ he cleans his pencil with," said Cindy in conclusion, "for I'm free to confess I never see brass shine so in my born days."

Faith took the card and read,--

JOHN ENDECOTT LINDEN.

She looked a little curiously at the pencilling, at the formation of the capitals and of the small letters; then laid it down and gave her attention to the dishes of the supper-table.

The next day was Saturday. The morning opened with grey clouds, covering the sky, but which were light and light-broken and promised to roll away entirely as soon as the sun should reach a commanding position in the heavens. The sun however was still quite distant from such a position, in fact was not much more than an hour high, when Lucinda, who was sweeping the front door steps, was hailed from the front door by a person not one of the party of the preceding evening, and very unlike either of them. It was a lady, not young, of somewhat small figure, trim, and nicely dressed. Indeed she was rather handsomely dressed and in somewhat French taste; she had showy gold earrings in her ears, and a head much more in the mode than either Mrs. Derrick's or her daughter's. The face of this lady was plain, decidedly; but redeemed by a look of sense and shrewdness altogether unmixed with ill nature. The voice spoke alert and pleasantly.

"So Lucindy, you had company last night, didn't you?"

"May be we did and may be we didn't," said Lucindy, brushing away with great energy at an imaginary bit of lint at the end of the upper step. "I do' know but we'd just as good call him one of the family."

"So much at home already? I missed seeing him last night--I couldn't get home. What's he like, Cindy? and what has he done?"

"Done?" said Cindy--"well he's went out a'most afore I was up. And as to like, Miss Dilly--just you look at him when he comes in. He looks some like folks, and yet he don't, neither."

"Yes," said Cindy, reducing a large family of spiders to temporary starvation and despair,--"he's out--if he ain't gone in nowheres. Miss Dilly, if you'll stand just inside the door I can wash the steps just as well.

"What's the gentleman out so early for? Maybe he's missed some of his luggage, Cindy."

"Hope he ha'n't got no more--without its lighter," said Cindy. "However, he carried it upstairs himself, I'm free to confess. I guess 'twarn't for luggage he went out, 'cause he asked about breakfast time, special."

"If he means to be out till then he'll have a good walk of it."

It wanted five minutes of breakfast time, and Mrs. Derrick--what with stepping into the kitchen to oversee Cindy, and stepping to the front window to oversee the street--was warm enough for a cooler morning.

"Faith," she said, referring as usual to her daughter, "Faith--what shall we do if he don't come?"

"I guess he'll come, mother;--he knows the time. The things won't hurt much by waiting a little."

As she spoke, the little front gate swung softly to, and the person in question came leisurely up the steps and into the hall. Then having just glanced into the parlour, he at once--with a promptitude which bespoke him too punctual himself to doubt the punctuality of others--advanced to the dining-room door and walked in.

Mrs. Derrick's face shewed gratification mingled with her good nature. Faith smiled; and Miss Dilly was duly introduced as Miss Delia Danforth, Mrs. Derrick's aunt, then on a visit at Pattaquasset.

"You've taken an early stroll this morning, sir," said this last lady. "View the country?"

"No," said Mr. Linden, "I have been viewing the town."

"Ah! Well I call that viewing the country. Town and country, all's one here; and it makes a very pleasant sort of place. But what do you call the _town_, sir?--Do you drink coffee?"

"The town," said Mr. Linden, in answer to the first question--receiving his coffee-cup from Mrs. Derrick by way of answer to the second,--"means in this instance, Miss Danforth, that spot of country which is most thickly settled. Yes, ma'am--I drink coffee."

"Very bad for you, sir; don't you know it?"

The preface to Say and Seal, Volume I wryly acknowledges the book's size, noting that it has “run over” the typical mould, and introduces the dual authorship with the metaphor of a pair of gloves—the public will never know which is right or left. The narrative then opens on a broad, elm-lined street in a shady, sunshiny town, where the arrival of a new schoolteacher stirs the June breezes. The descriptive prose lingers on the early settlers' planted elms and the comfortable houses spaced at pleasant intervals, establishing a setting that feels both tranquil and watchful.

A Preface That Sets the Tone

The preface, signed by the pseudonyms Elizabeth Wetherell and Amy Lothrop, does more than apologize for length. It directly addresses the reader with playful self-awareness, calling them “dear delightful” and gently mocking those who believe everything written. The authors state that if the heroine cries or laughs too much, it is nobody's fault but her own. This framing invites the reader into a collaborative, slightly ironic relationship with the text. The preface also reveals that the story is set in a town with geographical or imaginary bounds, and that the events occur in June with the coming of a new school teacher. Notably, the authors refuse to disclose where or how the scene will close, leaving the ending deliberately veiled.

The Opening Setting: A Town of Elms and Quiet Intervals

Chapter I opens with a description of a street that is broad, with sidewalks and wide grass-grown borders, and a spacious track for wheels and horses. The great elms planted by early settlers wave their pendant branches, providing shelter for orioles, killdeer, and robins. The houses stand at pleasant neighbourly intervals—not crowded, not lonely. The prose personifies the trees, noting they put off yellow leaves in autumn and bear winter snow in “seeming quiet assurance that spring would make amends for all.” This is immediately followed by the line, “So slept the early settlers in the churchyard!”—a subtle link between the natural cycle and human mortality. The setting is established as both peaceful and layered with history, preparing the ground for the arrival of a new teacher and the events that will unfold.

Faith Derrick and Dr. Harrison: A Conversation on Sunday Work

In an excerpt from later in the volume, Faith Derrick and Dr. Harrison walk together after church. The doctor, having made an inopportune proposal the previous day, seeks to make peace. He takes Faith's little Bible from her and asks about her remark regarding “particular work to be done on Sunday.” Faith explains that Sunday is meant for the work of the other world: learning to know God, doing his will, and bringing others to do it. Dr. Harrison listens and responds, “You are of a different world from that in which I live; and the flowers that are sweet to you, belong, I am afraid, to a Flora that I have no knowledge of.” The exchange reveals Faith's earnest simplicity and the doctor's intellectual curiosity, as well as a clear divide in their spiritual perspectives. The doctor's request to be made as good as she is, and Faith's reply that God will make him much better if he asks, underscores the novel's religious didacticism.

Mr. Linden's Words on the Physician's Role

In another excerpt, the teacher Mr. Linden speaks to Dr. Harrison about the limits of medicine. He says, “a physician who has no skill to feel the pulse of the mind, no remedies that can reach its fever or its chills,—is but half a physician.” He adds that if he had never studied the subject, one word about heaven and the way thither would be worth more than all the science of medicine. The doctor takes his hand in silence, and it is unclear whether he goes straight to church afterward. This passage highlights the novel's interest in the intersection of physical and spiritual healing, and positions Mr. Linden as a character who values faith over mere medical knowledge. The doctor's subsequent attendance at church and his conversation with Faith suggest that Mr. Linden's words may have had an effect.

Readers approaching Say and Seal, Volume I should note that the excerpts reveal a narrative deeply concerned with religious instruction and the contrast between worldly and spiritual perspectives. The preface's playful tone may temper the earnestness of the dialogues. Pay attention to how the setting—the elm-lined street and the churchyard—echoes the themes of mortality and renewal. The incomplete excerpts leave many questions about plot and character development, but the early focus on Faith, Dr. Harrison, and Mr. Linden suggests a triangle of influence and belief.

That rainy afternoon, Say and Seal kept me company while the gutters sang. Its quiet New England hush, the doctor’s slow wondering, felt like a warm blanket. Somewhere past the preface’s wry apology for length, I found myself trailing a different thread—an older memory of Molly Make-Believe — A Closer Reading, whose fragile kindness echoed the same gentle loneliness.

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