The Bostonians, Vol. II (of II) — A Reader’s Guide
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There was no resentment in her, however, for in a moment she said to him, as quickly as it occurred to her, in the manner of a person repairing an accidental omission, "It was very good of you to come so far."
This was a sort of speech it was never safe to make to Ransom; there was no telling what retribution it might entail. "Do you suppose any journey is too great, too wearisome, when it's a question of so great a pleasure?" On this occasion it was not worse than that.
"Well, people _have_ come from other cities," Verena answered, not with pretended humility, but with pretended pride. "Do you know Cambridge?"
"This is the first time I have ever been here."
"Well, I suppose you have heard of the university; it's so celebrated."
"Yes--even in Mississippi. I suppose it's very fine."
"I presume it is," said Verena; "but you can't expect me to speak with much admiration of an institution of which the doors are closed to our sex."
"Do you then advocate a system of education in common?"
"I advocate equal rights, equal opportunities, equal privileges. So does Miss Chancellor," Verena added, with just a perceptible air of feeling that her declaration needed support.
"Oh, I thought what she wanted was simply a different inequality--simply to turn out the men altogether," Ransom said.
"Well, she thinks we have great arrears to make up. I do tell her, sometimes, that what she desires is not only justice but vengeance. I think she admits that," Verena continued, with a certain solemnity. The subject, however, held her but an instant, and before Ransom had time to make any comment, she went on, in a different tone: "You don't mean to say you live in Mississippi _now_? Miss Chancellor told me when you were in Boston before, that you had located in New York." She persevered in this reference to himself, for when he had assented to her remark about New York, she asked him whether he had quite given up the South.
"Given it up--the poor, dear, desolate old South? Heaven forbid!" Basil Ransom exclaimed.
She looked at him for a moment with an added softness. "I presume it is natural you should love your home. But I am afraid you think I don't love mine much; I have been here--for so long--so little. Miss Chancellor _has_ absorbed me--there is no doubt about that. But it's a pity I wasn't with her to-day." Ransom made no answer to this; he was incapable of telling Miss Tarrant that if she had been he would not have called upon her. It was not, indeed, that he was not incapable of hypocrisy, for when she had asked him if he had seen his cousin the night before, and he had replied that he hadn't seen her at all, and she had exclaimed with a candour which the next minute made her blush, "Ah, you don't mean to say you haven't forgiven her!"--after this he put on a look of innocence sufficient to carry off the inquiry, "Forgiven her for what?"
Verena coloured at the sound of her own words. "Well, I could see how much she felt, that time at her house."
"What did she feel?" Basil Ransom asked, with the natural provokingness of a man.
I know not whether Verena was provoked, but she answered with more spirit than sequence: "Well, you know you _did_ pour contempt on us, ever so much; I could see how it worked Olive up. Are you not going to see her at all?"
"Well, I shall think about that; I am here only for three or four days," said Ransom, smiling as men smile when they are perfectly unsatisfactory.
It is very possible that Verena was provoked, inaccessible as she was, in a general way, to irritation; for she rejoined in a moment, with a little deliberate air: "Well, perhaps it's as well you shouldn't go, if you haven't changed at all."
"I haven't changed at all," said the young man, smiling still, with his elbows on the arms of his chair, his shoulders pushed up a little, and his thin brown hands interlocked in front of him.
"Well, I have had visitors who were quite opposed!" Verena announced, as if such news could not possibly alarm her. Then she added, "How then did you know I was out here?"
"Miss Birdseye told me."
"Oh, I am so glad you went to see _her_!" the girl cried, speaking again with the impetuosity of a moment before.
"I didn't go to see her. I met her in the street, just as she was leaving Miss Chancellor's door. I spoke to her, and accompanied her some distance. I passed that way because I knew it was the direct way to Cambridge--from the Common--and I was coming out to see you any way--on the chance."
"On the chance?" Verena repeated.
"Yes; Mrs. Luna, in New York, told me you were sometimes here, and I wanted, at any rate, to make the attempt to find you."
It may be communicated to the reader that it was very agreeable to Verena to learn that her visitor had made this arduous pilgrimage (for she knew well enough how people in Boston regarded a winter journey to the academic suburb) with only half the prospect of a reward; but her pleasure was mixed with other feelings, or at least with the consciousness that the whole situation was rather less simple than the elements of her life had been hitherto. There was the germ of disorder in this invidious distinction which Mr. Ransom had suddenly made between Olive Chancellor, who was related to him by blood, and herself, who had never been related to him in any way whatever. She knew Olive by this time well enough to wish not to reveal it to her, and yet it would be something quite new for her to undertake to conceal such an incident as her having spent an hour with Mr. Ransom during a flying visit he had made to Boston. She had spent hours with other gentlemen, whom Olive didn't see; but that was different, because her friend knew about her doing it and didn't care, in regard to the persons--didn't care, that is, as she would care in this case. It was vivid to Verena's mind that now Olive _would_ care. She had talked about Mr. Burrage, and Mr. Pardon, and even about some gentlemen in Europe, and she had not (after the first few days, a year and a half before) talked about Mr. Ransom.
Nevertheless there were reasons, clear to Verena's view, for wishing either that he would go and see Olive or would keep away from _her_; and the responsibility of treating the fact that he had not so kept away as a secret seemed the greater, perhaps, in the light of this other fact, that so far as simply seeing Mr. Ransom went--why, she quite liked it. She had remembered him perfectly after their two former meetings, superficial as their contact then had been; she had thought of him at moments and wondered whether she should like him if she were to know him better. Now, at the end of twenty minutes, she did know him better, and found that he had rather a curious, but still a pleasant way. There he was, at any rate, and she didn't wish his call to be spoiled by any uncomfortable implication of consequences. So she glanced off, at the touch of Mrs. Luna's name; it seemed to afford relief. "Oh yes, Mrs. Luna--isn't she fascinating?"
Ransom hesitated a little. "Well, no, I don't think she is."
"You ought to like her--she hates our movement!" And Verena asked, further, numerous questions about the brilliant Adeline; whether he saw her often, whether she went out much, whether she was admired in New York, whether he thought her very handsome. He answered to the best of his ability, but soon made the reflexion that he had not come out to Monadnoc Place to talk about Mrs. Luna; in consequence of which, to change the subject (as well as to acquit himself of a social duty), he began to speak of Verena's parents, to express regret that Mrs. Tarrant had been sick, and fear that he was not to have the pleasure of seeing her. "She is a great deal better," Verena said; "but she's lying down; she lies down a great deal when she has got nothing else to do. Mother's very peculiar," she added in a moment; "she lies down when she feels well and happy, and when she's sick she walks about--she roams all round the house. If you hear her on the stairs a good deal, you can be pretty sure she's very bad. She'll be very much interested to hear about you after you have left."
Ransom glanced at his watch. "I hope I am not staying too long--that I am not taking you away from her."
"Oh no; she likes visitors, even when she can't see them. If it didn't take her so long to rise, she would have been down here by this time. I suppose you think she has missed me, since I have been so absorbed. Well, so she has, but she knows it's for my good. She would make any sacrifice for affection."
The fancy suddenly struck Ransom of asking, in response to this, "And you? would you make any?"
Verena gave him a bright natural stare. "Any sacrifice for affection?" She thought a moment, and then she said: "I don't think I have a right to say, because I have never been asked. I don't remember ever to have had to make a sacrifice--not an important one."
"Lord! you must have had a happy life!"
"I have been very fortunate, I know that. I don't know what to do when I think how some women--how most women--suffer. But I must not speak of that," she went on, with her smile coming back to her. "If you oppose our movement, you won't want to hear of the suffering of women!"
"The suffering of women is the suffering of all humanity," Ransom returned. "Do you think any movement is going to stop that--or all the lectures from now to doomsday? We are born to suffer--and to bear it, like decent people."
"Oh, I adore heroism!" Verena interposed.
"And as for women," Ransom went on, "they have one source of happiness that is closed to us--the consciousness that their presence here below lifts half the load of _our_ suffering."
Verena thought this very graceful, but she was not sure it was not rather sophistical; she would have liked to have Olive's judgement upon it. As that was not possible for the present, she abandoned the question (since learning that Mr. Ransom had passed over Olive, to come to her, she had become rather fidgety), and inquired of the young man, irrelevantly, whether he knew any one else in Cambridge.
"Not a creature; as I tell you, I have never been here before. Your image alone attracted me; this charming interview will be henceforth my only association with the place."
"It's a pity you couldn't have a few more," said Verena musingly.
"A few more interviews? I should be unspeakably delighted!"
"A few more associations. Did you see the colleges as you came?"
"I had a glimpse of a large enclosure, with some big buildings. Perhaps I can look at them better as I go back to Boston."
"Oh yes, you ought to see them--they have improved so much of late. The inner life, of course, is the greatest interest, but there is some fine architecture, if you are not familiar with Europe." She paused a moment, looking at him with an eye that seemed to brighten, and continued quickly, like a person who had collected herself for a little jump, "If you would like to walk round a little, I shall be very glad to show you."
"To walk round--with you to show me?" Ransom repeated. "My dear Miss Tarrant, it would be the greatest privilege--the greatest happiness--of my life. What a delightful idea--what an ideal guide!"
Verena got up; she would go and put on her hat; he must wait a little. Her offer had a frankness and friendliness which gave him a new sensation, and he could not know that as soon as she had made it (though she had hesitated too, with a moment of intense reflexion), she seemed to herself strangely reckless. An impulse pushed her; she obeyed it with her eyes open. She felt as a girl feels when she commits her first conscious indiscretion. She had done many things before which many people would have called indiscreet, but that quality had not even faintly belonged to them in her own mind; she had done them in perfect good faith and with a remarkable absence of palpitation. This superficially ingenuous proposal to walk around the colleges with Mr. Ransom had really another colour; it deepened the ambiguity of her position, by reason of a prevision which I shall presently mention. If Olive was not to know that she had seen him, this extension of their interview would double her secret. And yet, while she saw it grow--this monstrous little mystery--she couldn't feel sorry that she was going out with Olive's cousin. As I have already said, she had become nervous. She went to put on her hat, but at the door of the room she stopped, turned round, and presented herself to her visitor with a small spot in either cheek, which had appeared there within the instant. "I have suggested this, because it seems to me I ought to do something for you--in return," she said. "It's nothing, simply sitting there with me. And we haven't got anything else. This is our only hospitality. And the day seems so splendid."
The modesty, the sweetness, of this little explanation, with a kind of intimated desire, constituting almost an appeal, for rightness, which seemed to pervade it, left a fragrance in the air after she had vanished. Ransom walked up and down the room, with his hands in his pockets, under the influence of it, without taking up even once the book about Mrs. Foat. He occupied the time in asking himself by what perversity of fate or of inclination such a charming creature was ranting upon platforms and living in Olive Chancellor's pocket, or how a ranter and sycophant could possibly be so engaging. And she was so disturbingly beautiful, too. This last fact was not less evident when she came down arranged for their walk. They left the house, and as they proceeded he remembered that he had asked himself earlier how he could do honour to such a combination of leisure and ethereal mildness as he had waked up to that morning--a mildness that seemed the very breath of his own latitude. This question was answered now; to do exactly what he was doing at that moment was an observance sufficiently festive.
They passed through two or three small, short streets, which, with their little wooden houses, with still more wooden door-yards, looked as if they had been constructed by the nearest carpenter and his boy--a sightless, soundless, interspaced, embryonic region--and entered a long avenue which, fringed on either side with fresh villas, offering themselves trustfully to the public, had the distinction of a wide pavement of neat red brick. The new paint on the square detached houses shone afar off in the transparent air: they had, on top, little cupolas and belvederes, in front a pillared piazza, made bare by the indoor life of winter, on either side a bow-window or two, and everywhere an embellishment of scallops, brackets, cornices, wooden flourishes. They stood, for the most part, on small eminences, lifted above the impertinence of hedge or paling, well up before the world, with all the good conscience which in many cases came, as Ransom saw (and he had noticed the same ornament when he traversed with Olive the quarter of Boston inhabited by Miss Birdseye), from a silvered number, affixed to the glass above the door, in figures huge enough to be read by the people who, in the periodic horse-cars, travelled along the middle of the avenue. It was to these glittering badges that many of the houses on either side owed their principal identity. One of the horse-cars now advanced in the straight, spacious distance; it was almost the only object that animated the prospect, which, in its large cleanness, its implication of strict business-habits on the part of all the people who were not there, Ransom thought very impressive. As he went on with Verena he asked her about the Women's Convention, the year before; whether it had accomplished much work and she had enjoyed it.
"What do you care about the work it accomplished?" said the girl. "You don't take any interest in that."
"You mistake my attitude. I don't like it, but I greatly fear it."
In answer to this Verena gave a free laugh. "I don't believe you fear much!"
"The bravest men have been afraid of women. Won't you even tell me whether you enjoyed it? I am told you made an immense sensation there--that you leaped into fame."
Verena never waved off an allusion to her ability, her eloquence; she took it seriously, without any flutter or protest, and had no more manner about it than if it concerned the goddess Minerva. "I believe I attracted considerable attention; of course, that's what Olive wants--it paves the way for future work. I have no doubt I reached many that wouldn't have been reached otherwise. They think that's my great use--to take hold of the outsiders, as it were; of those who are prejudiced or thoughtless, or who don't care about anything unless it's amusing. I wake up the attention."
"That's the class to which I belong," Ransom said. "Am I not an outsider? I wonder whether you would have reached me--or waked up my attention!"
Verena was silent awhile, as they walked; he heard the light click of her boots on the smooth bricks. Then--"I think I _have_ waked it up a little," she replied, looking straight before her.
"Most assuredly! You have made me wish tremendously to contradict you."
"Well, that's a good sign."
"I suppose it was very exciting--your convention," Ransom went on, in a moment; "the sort of thing you would miss very much if you were to return to the ancient fold."
"The ancient fold, you say very well, where women were slaughtered like sheep! Oh, last June, for a week, we just quivered! There were delegates from every State and every city; we lived in a crowd of people and of ideas; the heat was intense, the weather magnificent, and great thoughts and brilliant sayings flew round like darting fireflies. Olive had six celebrated, high-minded women staying in her house--two in a room; and in the summer evenings we sat in the open windows, in her parlour, looking out on the bay, with the lights gleaming in the water, and talked over the doings of the morning, the speeches, the incidents, the fresh contributions to the cause. We had some tremendously earnest discussions, which it would have been a benefit to you to hear, or any man who doesn't think that we can rise to the highest point. Then we had some refreshment--we consumed quantities of ice-cream!" said Verena, in whom the note of gaiety alternated with that of earnestness, almost of exaltation, in a manner which seemed to Basil Ransom absolutely and fascinatingly original. "Those were great nights!" she added, between a laugh and a sigh.
The second volume of The Bostonians opens with Basil Ransom waiting in Doctor Tarrant's parlour, a setting that immediately signals a shift in the novel's geography and power dynamics. The room is described as "bright, bare, common," its poverty revealed by an "ugly, undraped cross-light." Ransom's contemptuous handling of a biography of a trance-lecturer—he wonders if this is what Verena was "brought up on"—reveals his disdain for the reformist milieu she inhabits. His observation that the room's meanness makes it "no wonder Verena liked better to live with Olive Chancellor" introduces a material dimension to the ideological tug-of-war. The waiting period, during which he hears a "rapid footstep" overhead, suggests Verena's nervous preparation, a detail that will resonate throughout the volume as she oscillates between the two claimants to her future.
Ransom's Gaze and Verena's Blush
In the park scene, James dramatizes a crucial shift in Verena's composure. Once praised by Olive for her serenity "while exposed to the gaze of hundreds," Verena now finds she "was unable to endure the contemplation of an individual." Ransom's eyes are described as "ever so close and fixed," and she begins to blush—a physical response that signals a new vulnerability. The narrator notes that "a change had taken place," and this change is enacted through the very act of looking. Ransom's stare is not merely intrusive; it redefines the terms of Verena's public identity. Where she once performed for crowds, she now finds herself the object of a private, possessive gaze. James uses this moment to show how Ransom's attention dismantles the persona Verena has cultivated, replacing the platform with the parlour.
The Vocabulary of Domesticity
Ransom's argument with Verena in the park hinges on a single phrase: "the realm of family life and the domestic affections." When Verena interrupts, calling it "only a phrase," she exposes the rhetorical battleground. Ransom counters that his phrase is "a better one than any of yours," asserting the superiority of private life over public reform. James does not let this exchange settle into a simple debate; instead, he embeds it in the physical environment—the "artificial lakes and cockneyfied landscapes" of the park, the "chocolate-coloured houses" and "beer-saloons" of Sixth Avenue. The setting itself seems to mock the grandiosity of both positions. Verena's abrupt desire to leave—"I must go home; good-bye"—and her refusal of Ransom's invitation to dine at half-past three (a time she finds "queer and infelicitous") underscore the cultural distance between them, a distance measured in hours and habits as much as in ideology.
Interiors as Ideological Stages
James repeatedly uses domestic interiors to externalize the struggle for Verena. The Tarrant parlour, with its "little japanned tray" containing mesmeric healer's cards and its single biography of a trance-lecturer, is a stage set for a certain kind of reformist life. Ransom's reaction—throwing the book down "with a gesture almost as contemptuous as if he had not known perfectly" it was not representative—shows his willful refusal to engage with Verena's world on its own terms. Later, the park scene offers a contrasting outdoor space, but one that is equally coded: the "species of plaza" at the southern end of the park, with its "groups of the unemployed" and "commercial vista," is a liminal zone between the private and the public. James uses these settings to suggest that the conflict between Ransom and Olive is not merely ideological but spatial: each character tries to claim Verena for a particular kind of place, whether the drawing-room, the lecture hall, or the street.
The Rhythm of Hesitation
Throughout the excerpts, Verena's movements are marked by hesitation and abrupt reversal. She keeps Ransom waiting, then appears; she walks with him, then insists on leaving; she blushes, then laughs nervously. James captures this through a series of small physical details: the "rapid footstep" overhead, the way she "tossed the words over her shoulder," her "charming, touching, hurrying step, which expressed all the trepidation she was anxious to conceal." These gestures create a rhythm of approach and withdrawal that defines her position between two suitors. The narrator's observation that she "wished to detach him, to lead him off again into the general" reveals her strategy: to deflect Ransom's individual attention back onto the abstract cause. But the blush and the hurried step betray a self-consciousness that undermines that strategy. James builds suspense not through plot events but through these micro-movements, each one a decision made and unmade.
Readers approaching this volume should attend to the spaces James constructs—the parlour, the park, the street—as extensions of the characters' inner conflicts. The novel's drama unfolds less in what is said than in the pauses, the glances, the objects handled and discarded. Verena's blushes and hesitations are not merely romantic tropes but indices of a deeper uncertainty about identity and allegiance. James's prose rewards close attention to these details, which accumulate into a portrait of a woman caught between two incompatible futures.
Reading the second volume of The Bostonians, I felt that quiet ache of watching Verena’s world narrow into parlors and whispered arguments, so much depending on one choice. It reminded me of the weight of inheritance in Ancestors: A Novel — Edition Insights, how the past holds us, even when we long to slip its grasp. Strange, how rooms hold our decisions.
Liam Torres
1 month ago-
Elizabeth Russell - 1 month ago
Volume II of 'The Bostonians' continues James's detailed study of the reform movement and the battle for Verena Tarrant's allegiance. The writing is dense, and the social satire is sharp. However, some readers may find the slow pacing and long passages of introspection taxing. Yet, if you've invested in the characters, this installment delivers a satisfying, if not completely conclusive, ending. James's mastery of language is evident throughout. -
Jose Alvarez - 1 month ago
Henry James's 'The Bostonians' (Volume II) is a brilliant and insightful exploration of feminism, social reform, and personal obsession in post-Civil War America. James's prose is exquisite, capturing the nuances of his characters' inner lives with psychological depth. The conflict between Olive Chancellor's fervent activism and Basil Ransom's conservative charm is riveting. This second volume brings the story to a powerful climax, leaving you thinking long after the final page. A literary masterpiece. -
Nathan Underwood - 2 weeks ago
The second volume of 'The Bostonians' is a ponderous slog that reeks of over-analysis. James's style becomes exasperating, with endless tangents and little action. The characters talk in circles, and the central conflict feels contrived. The feminist themes are handled with a heavy hand, and the ending leaves you unfulfilled. If you want to read James, start with 'The Portrait of a Lady' rather than this dense, tedious work.
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Sofia Sanchez
2 weeks ago