Brother Copas — Context and Discussion
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I. THE MASTER OF ST. HOSPITAL.
II. THE COLLEGE OF NOBLE POVERTY.
III. BROTHER COPAS HOOKS A FISH.
V. BROTHER COPAS ON RELIGIOUS DIFFERENCES.
VII. LOW AND HIGH TABLES.
VIII. A PEACE-OFFERING.
X. THE ANONYMOUS LETTER.
XI. BROTHER COPAS ON THE ANGLO-SAXON.
XII. MR. ISIDORE TAKES CHARGE.
XIII. GARDEN AND LAUNDRY.
XIV. BROTHER COPAS ON THE HOUSE OF LORDS.
XV. CANARIES AND GREATCOATS.
XVI. THE SECOND LETTER.
XVIII. THE PERVIGILIUM.
XVIX. MERCHESTER PREPARES.
XX. NAUGHTINESS, AND A SEQUEL.
XXII. MR. SIMEON MAKES A CLEAN BREAST.
XXIII. CORONA'S BIRTHDAY.
XXIV. FINIS CORONAT OPUS.
THE MASTER OF ST. HOSPITAL.
'As poor, yet making many rich; as having nothing, and yet possessing all things . . .'
The Honourable and Reverend Eustace John Wriothesley Blanchminster, D.D., Master of St. Hospital-by-Merton, sat in the oriel of his library revising his Trinity Gaudy Sermon. He took pains with these annual sermons, having a quick and fastidious sense of literary style. "It is," he would observe, "one of the few pleasurable capacities spared by old age." He had, moreover, a scholarly habit of verifying his references and quotations; and if the original, however familiar, happened to be in a dead or foreign language, would have his secretary indite it in the margin. His secretary, Mr. Simeon, after taking the Sermon down from dictation, had made out a fair copy, and stood now at a little distance from the corner of the writing-table, in a deferential attitude.
The Master leaned forward over the manuscript; and a ray of afternoon sunshine, stealing in between a mullion of the oriel and the edge of a drawn blind, touched his bowed and silvery head as if with a benediction. He was in his seventy-third year; lineal and sole-surviving descendant of that Alberic de Blanchminster (Albericus de Albo Monasterio) who had founded this Hospital of Christ's Poor in 1137, and the dearest, most distinguished-looking old clergyman imaginable. An American lady had once summed him up as a Doctor of Divinity in Dresden china; and there was much to be allowed to the simile when you noted his hands, so shapely and fragile, or his complexion, transparent as old ivory--and still more if you had leisure to observe his saintliness, so delicately attuned to this world.
"_As having nothing, and yet possessing all things_."--The Master laid his forefinger upon the page and looked up reproachfully. "os meden echontes--my good Simeon, is it possible? A word so common as os! and after all these years you make it perispomenon!"
Mr. Simeon stammered contrition. In the matter of Greek accents he knew himself to be untrustworthy beyond hope. "I can't tell how it is, sir, but that os always seems to me to want a circumflex, being an adverb of sorts." On top of this, and to make things worse, he pleaded that he had left out the accent in os ptochoi, just above.
"H'm--as poor, and yet thankful for small mercies," commented the Master with gentle sarcasm. He had learnt in his long life to economise anger. But he frowned as he dipped a pen in the ink-pot and made the correction; for he was dainty about his manuscripts as about all the furniture of life, and a blot or an erasure annoyed him. "Brother Copas," he murmured, "never misplaces an accent."
Mr. Simeon heard, and started. It was incredible that the Master, who five-and-twenty years ago had rescued Mr. Simeon from a school for poor choristers and had him specially educated for the sake of his exquisite handwriting, could be threatening dismissal over a circumflex. Oh, there was no danger! If long and (until the other day) faithful service were not sufficient, at least there was guarantee in the good patron's sense of benefits conferred. Moreover, Brother Copas was not desirable as an amanuensis. . . . None the less, poor men with long families will start at the shadow of a fear; and Mr. Simeon started.
"Master," he said humbly, choosing the title by which his patron liked to be addressed, "I think Greek accents must come by gift of the Lord."
The Master glanced up.
"I mean, sir"--Mr. Simeon extended a trembling hand and rested his fingers on the edge of the writing-table for support--"that one man is born with a feeling for them, so to speak; while another, though you may teach and teach him--"
"In other words," said the Master, "they come by breeding. It is very likely."
He resumed his reading:
'--and yet possessing all things. We may fancy St. Paul's actual words present in the mind of our Second Founder, the Cardinal Beauchamp, as their spirit assuredly moved him, when he named our beloved house the College of Noble Poverty. His predecessor, Alberic de Blanchminster, had called it after Christ's Poor; and the one title, to be sure, rests implicit in the other; for the condescension wherewith Christ made choice of His associates on earth has for ever dignified Poverty in the eyes of His true followers.'
"And you have spelt 'his' with a capital 'H'--when you know my dislike of that practice!"
Poor Mr. Simeon was certainly not in luck to-day. The truth is that, frightened by the prospect of yet another addition to his family (this would be his seventh child), he had hired out his needy pen to one of the Canons Residentiary of Merchester, who insisted on using capitals upon all parts of speech referring, however remotely, to either of the Divine Persons. The Master, who despised Canon Tarbolt for a vulgar pulpiteer, and barely nodded to him in the street, was not likely to get wind of this mercenage; but if ever he did, there would be trouble. As it was, the serving of two masters afflicted Mr. Simeon's conscience while it distracted his pen.
"I will make another fair copy," he suggested.
"I fear you must. Would you mind drawing back that curtain? My eyes are troublesome this afternoon. Thank you."--
'Nevertheless it was well done of the great churchman to declare his belief that the poor, as poor, are not only blessed--as Our Lord expressly says--but noble, as Our Lord implicitly taught. Nay, the suggestion is not perhaps far-fetched that, as Cardinal Beauchamp had great possessions, he took this occasion to testify how in his heart he slighted them. Or again--for history seems to prove that he was not an entirely scrupulous man, nor entirely untainted by self-seeking--that his tribute to Noble Poverty may have been the assertion, by a spirit netted among the briars of this world's policy, that at least it saw and suspired after the way to Heaven. _Video meliora, proboque_--
"O limed soul, that struggling to be free Art more engaged!"
'But he is with God: and while we conjecture, God knows.
'Lest, however, you should doubt that the finer spirits of this world have found Poverty not merely endurable but essentially noble, let me recall to you an anecdote of Saint Francis of Assisi. It is related that, travelling towards France with a companion, Brother Masseo, he one day entered a town wherethrough they both begged their way, as their custom was, taking separate streets. Meeting again on the other side of the town, they spread out their alms on a broad stone by the wayside, whereby a fair fountain ran; and Francis rejoiced that Brother Masseo's orts and scraps of bread were larger than his own, saying, "Brother Masseo, we are not worthy of such treasure." "But how," asked Brother Masseo, "can one speak of treasure when there is such lack of all things needful? Here have we neither cloth, nor knife, nor plate, nor porringer, nor house, nor table, nor manservant, nor maidservant." Answered Francis, "This and none else it is that I account wide treasure; which containeth nothing prepared by human hands, but all we have is of God's own providence--as this bread we have begged, set out on a table of stone so fine, beside a fountain so clear. Wherefore," said he, "let us kneel together and pray God to increase our love of this holy Poverty, which is so noble that thereunto God himself became a servitor."'
The declining sun, slanting in past the Banksia roses, touched the edge of a giant amethyst which the Master wore, by inheritance of office, on his forefinger; and, because his hand trembled a little with age, the gem set the reflected ray dancing in a small pool of light, oval-shaped and wine-coloured, on the white margin of the sermon. He stared at it for a moment, tracing it mistakenly to a glass of Rhone wine--a _Chateau Neuf du Pape_ of a date before the phylloxera--that stood neglected on the writing-table. (By his doctor's orders he took a glass of old wine and a biscuit every afternoon at this hour as a gentle digestive.)
Thus reminded, he reached out a hand and raised the wine to his lips, nodding as he sipped.
"In Common Room, Simeon, we used to say that no man was really educated who preferred Burgundy to claret, but that on the lower Rhone all tastes met in one ecstasy. . . . I'd like to have your opinion on this, now; that is, if you will find the decanter and a glass in the cupboard yonder--and if you have no conscientious objection."
Mr. Simeon murmured, amid his thanks, that he had no objection.
"I am glad to hear it. . . . Between ourselves, there is always something lacking in an abstainer--as in a man who has never learnt Greek. It is difficult with both to say what the lack precisely is; but with both it includes an absolute insensibility to the shortcoming."
Mr. Simeon could not help wondering if this applied to poor men who abstained of necessity. He thought not; being, for his part, conscious of a number of shortcomings.
"Spirits," went on the Master, wheeling half-about in his revolving-chair and crossing one shapely gaitered leg over another, "Spirits--and especially whisky--eat out the health of a man and leave him a sodden pulp. Beer is honest, but brutalising. Wine--certainly any good wine that can trace its origin back beyond the Reformation--is one with all good literature, and indeed with civilisation. _Antiquam exquirite matrem_: all three come from the Mediterranean basin or from around it, and it is only the ill-born who contemn descent."
"Brother Copas--" began Mr. Simeon, and came to a halt.
He lived sparely; he had fasted for many hours; and standing there he could feel the generous liquor coursing through him--nay could almost have reported its progress from ganglion to ganglion. He blessed it, and at the same moment breathed a prayer that it might not affect his head.
Mr. Simeon wished now that he had not begun his sentence. The invigorating _Chateau Neuf du Pape_ seemed to overtake and chase away all uncharitable thoughts. But it was too late.
"Brother Copas--you were saying--?"
"I ought not to repeat it, sir. But I heard Brother Copas say the other day that the teetotallers were in a hopeless case; being mostly religious men, and yet having to explain in the last instance why Our Lord, in Cana of Galilee, did not turn the water into ginger-pop."
The Master frowned and stroked his gaiters.
"Brother Copas's tongue is too incisive. Something must be forgiven to one who, having started as a scholar and a gentleman, finds himself toward the close of his days dependent on the bread of charity."
It was benignly spoken; and to Mr. Simeon, who questioned nothing his patron said or did, no shade of misgiving occurred that, taken down in writing, it might annotate somewhat oddly the sermon on the table. It was spoken with insight too, for had not his own poverty, or the fear of it, sharpened Mr. Simeon's tongue just now and prompted him to quote Brother Copas detrimentally? The little man did not shape this accusation clearly against himself, for he had a rambling head; but he had also a sound heart, and it was uneasy.
"I ought not to have told it, sir. . . . I ask you to believe that I have no ill-will against Brother Copas."
The Master had arisen, and stood gazing out of the window immersed in his own thoughts.
"Eh? I beg your pardon?" said he absently.
"I--I feared, sir, you might think I said it to his prejudice."
"Prejudice?" the Master repeated, still with his back turned, and still scarcely seeming to hear. "But why in the world? . . . Ah, there he goes!--and Brother Bonaday with him. They are off to the river, for Brother Copas carries his rod. What a strange fascination has that dry-fly fishing! And I can remember old anglers discussing it as a craze, a lunacy."
He gazed out, still in a brown study. The room was silent save for the ticking of a Louis Seize clock on the chimney-piece; and Mr. Simeon, standing attentive, let his eyes travel around upon the glass-fronted bookcases, filled with sober riches in vellum and gilt leather, on the rare prints in black frames, the statuette of _Diane Chasseresse_, the bust of Antinous, the portfolios containing other prints, the Persian carpets scattered about the dark bees'-waxed floor, the Sheraton table with its bowl of odorous peonies.
"Eh? I beg your pardon--" said the Master again after three minutes or so, facing around with a smile of apology. "My wits were wool-gathering, over the sermon--that little peroration of mine does not please me somehow. . . . I will take a stroll to the home-park and back, and think it over. . . . Thank you, yes, you may gather up the papers. We will do no more work this afternoon."
"And I will write out another fair copy, sir."
"Yes, certainly; that is to say, of all but the last page. We will take the last page to-morrow."
For a moment, warmed by the wine and by the Master's cordiality of manner, Mr. Simeon felt a wild impulse to make a clean breast, confess his trafficking with Canon Tarbolt and beg to be forgiven. But his courage failed him. He gathered up his papers, bowed and made his escape.
THE COLLEGE OF NOBLE POVERTY.
If a foreigner would apprehend (he can never comprehend) this England of ours, with her dear and ancient graces, and her foibles as ancient and hardly less dear; her law-abidingness, her staid, God-fearing citizenship; her parochialism whereby (to use a Greek idiom) she perpetually escapes her own notice being empress of the world; her inveterate snobbery, her incurable habit of mistaking symbols and words for realities; above all, her spacious and beautiful sense of time as builder, healer and only perfecter of worldly things; let him go visit the Cathedral City, sometime the Royal City, of Merchester. He will find it all there, enclosed and casketed--"a box where sweets compacted lie."
Let him arrive on a Saturday night and awake next morning to the note of the Cathedral bell, and hear the bugles answering from the barracks up the hill beyond the mediaeval gateway. As he sits down to breakfast the bugles will start sounding nigher, with music absurd and barbarous, but stirring, as the Riflemen come marching down the High Street to Divine Service. In the Minster to which they wend, their disused regimental colours droop along the aisles; tattered, a hundred years since, in Spanish battlefields, and by age worn almost to gauze--"strainers," says Brother Copas, "that in their time have clarified much turbid blood." But these are guerdons of yesterday in comparison with other relics the Minster guards. There is royal dust among them--Saxon and Dane and Norman--housed in painted chests above the choir stalls. "_Quare fremuerunt gentes?_" intone the choristers' voices below, Mr. Simeon's weak but accurate tenor among them. "_The kings of the earth stand up, and the rulers take counsel together_ . . ." The Riflemen march down to listen. As they go by ta-ra-ing, the douce citizens of Merchester and their wives and daughters admire from the windows discreetly; but will attend _their_ Divine Service later. This, again, is England.
Sundays and week-days at intervals the Cathedral organ throbs across the Close, gently shaking the windows of the Deanery and the Canons' houses, and interrupting the chatter of sparrows in their ivy. Twice or thrice annually a less levitical noise invades, when our State visits its Church; in other words, when with trumpeters and javelin-men the High Sheriff escorts his Majesty's Judges to hear the Assize Sermon. On these occasions the head boy of the great School, which lies a little to the south of the Cathedral, by custom presents a paper to the learned judge, suing for a school holiday; and his lordship, brushing up his Latinity, makes a point of acceding in the best hexameters he can contrive. At his time of life it comes easier to try prisoners; and if he lie awake, he is haunted less by his day in Court than by the fear of a false quantity.
The School--with its fourteenth-century quadrangles, fenced citywards behind a blank brewhouse-wall (as though its Founder's first precaution had been to protect learning from siege), and its precincts opening rearwards upon green playing-fields and river-meads--is like few schools in England, and none in any other country; and is proud of its singularity. It, too, has its stream of life, and on the whole a very gracious one, with its young, careless voices and high spirits. It lies, as I say, south of the Close; beyond the northward fringe of which you penetrate, under archway or by narrow entry, to the High Street, where another and different tide comes and goes, with mild hubbub of carts, carriages, motors--ladies shopping, magistrates and county councillors bent on business of the shire, farmers, traders, marketers. . . . This traffic, too, is all very English and ruddy and orderly.
Through it all, picturesque and respected, pass and repass the bedesmen of Saint Hospital: the Blanchminster Brethren in black gowns with a silver cross worn at the breast, the Beauchamp Brethren in gowns of claret colour with a silver rose. The terms of the twin bequests are not quite the same. To be a Collegian of Christ's Poor it is enough that you have attained the age of sixty-five, so reduced in strength as to be incapable of work; whereas you can become a Collegian of Noble Poverty at sixty, but with the proviso that misfortune has reduced you from independence (that is to say, from a moderate estate). The Beauchamp Brethren, who are the fewer, incline to give themselves airs over the Blanchminsters on the strength of this distinction: like Dogberry, in their time they have "had losses." But Merchester takes, perhaps, an equal pride in the pensioners of both orders.
Merchester takes an even fonder pride in St. Hospital itself--that compact and exquisite group of buildings, for the most part Norman, set in the water-meadows among the ambient streams of Mere. It lies a mile or so southward of the town, and some distance below the School, where the valley widens between the chalk-hills and, inland yet, you feel a premonition that the sea is not far away. All visitors to Merchester are directed towards St. Hospital, and they dote over it--the American visitors especially; because nowhere in England can one find the Middle Ages more compendiously summarised or more charmingly illustrated. Almost it might be a toy model of those times, with some of their quaintest customs kept going in smooth working order. But it is better. It is the real thing, genuinely surviving. No visitor ever finds disappointment in a pilgrimage to St. Hospital: the inmates take care of that.
The trustees, or governing body, are careful too. A few years ago, finding that his old lodgings in the quadrangle were too narrow for the Master's comfort, they erected a fine new house for him, just without the precincts. But though separated from the Hospital by a roadway, this new house comes into the picture from many points of view, and therefore not only did the architect receive instructions to harmonise it with the ancient buildings, but where he left off the trustees succeeded, planting wistarias, tall roses and selected ivies to run up the coigns and mullions. Nay, it is told that to encourage the growth of moss they washed over a portion of the walls (the servants' quarters) with a weak solution of farmyard manure. These conscientious pains have their reward, for to-day, at a little distance, the Master's house appears no less ancient than the rest of the mediaeval pile with which it composes so admirably.
With the Master himself we have made acquaintance. In the words of an American magazine, "the principal of this old-time foundation, Master E. J. Wriothesley (pronounced 'Wrottesley') Blanchminster, may be allowed to fill the bill. He is founder's kin, and just sweet."
Quiller-Couch frames Brother Copas with a dedication that sets up a tension between faith in humanity and the scorn that follows its practice. The novel moves between the Master's library—where a ray of sunshine touches his head “as if with a benediction”—and the laundry, where Brother Copas discovers “abominations.” This structural oscillation between elevated and lowly spaces mirrors the central conflict between institutional piety and lived poverty.
The Master’s Library and the Laundry
The opening chapter places the Master in his oriel, revising a sermon with fastidious care. The sunlight on his head suggests a sacred calm. Yet the narrative repeatedly descends from such quietude into the laundry, where Brother Copas finds quarrels and dirty tricks. The laundry is a site of labor and conflict, a counterpoint to the Master’s detached scholarship. Quiller-Couch uses these contrasting settings to dramatize the gap between the College’s ideals and its daily realities.
Parsley as a Recurring Image
Corona, the young girl, becomes fixated on parsley after Brother Copas tells her that the ancient Greeks awarded a parsley wreath as a top prize. She hoards this detail, and the herb recurs as a symbol of hidden value and childish wonder. Her determination to “outwit old Battershall” and reach the garden first shows how a trivial object can carry deep imaginative weight. The parsley links Corona’s innocence to a classical past, a motif that Quiller-Couch weaves without heavy explanation.
Corona’s Imaginary Playmates
Though not consciously lonely, Corona peoples St. Hospital with children of her fancy—boys and girls chasing across lawns, playing hide-and-seek. This inner world is described in a brief, lyrical passage that includes a snatch of verse: “No, no, let us play, for it is yet day.” The tunnel from garden to ambulatory becomes a threshold between her imagined community and the real, adult-dominated institution. Quiller-Couch uses her daydreams to suggest a longing for life and laughter that the almshouse cannot supply.
Movement Between Scenes
The narrative shifts abruptly from Corona’s reverie to her encounter with Brother Copas and Nurse Branscome, who “started guiltily.” Such transitions are typical: a quiet moment is broken by a sharp knock on a door or a sudden exclamation. Brother Copas’s staff, used to knock for entry, becomes a percussive device that punctuates the action. The novel’s rhythm relies on these interruptions—from garden to laundry, from dialogue to discovery—keeping the reader alert to the tensions simmering beneath the surface of St. Hospital.
The Role of the Porter’s Lodge
The porter’s lodge serves as a nexus of petty schemes. Brother Clerihew, an ex-butler with a reputation for underhand practice, exploits the lodge to play tricks on doddering Brother Ibbetson. The key to the Relique Room, usually hung by Porter Manby, becomes a prop in a small drama of deceit. Quiller-Couch uses this setting to show how institutional routines can be weaponized, and how even the most mundane objects—keys, doorways—can become instruments of conflict.
Readers attentive to the novel’s structure will notice how Quiller-Couch builds meaning through juxtaposition: the Master’s sermon versus the laundry’s squabbles, Corona’s imaginary children versus the real almshouse. The parsley wreath, the tunnel, the porter’s key—each recurs not as mere decoration but as a thread connecting disparate scenes. This editorial note invites you to watch for these patterns as you read, without presuming to know how they resolve.
Reading the editorial notes on Brother Copas, I kept drifting back to the quiet way parsley and children bind that old hospital together. It reminded me, oddly, of how At Fault holds its own stubborn rhythms. Something in the Master’s sheltered study versus Brother Copas’s wry, rooted kindness felt echoed there—two worlds brushing past each other, never quite meeting. A small, lingering thought, like a last sip of tea. At Fault — Inside the Classic
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