The Window at the White Cat — Background and Themes

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Rinehart, Mary Roberts, 1876-1958 Project Gutenberg 2010 Not confirmed
Love stories; Mystery and detective stories; Political corruption -- Fiction; Lawyers -- Fiction Readers of public-domain and historical texts
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Words 72,442
Reading time 315 min
Text sections 7

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In this early 20th-century mystery, lawyer-narrator John investigates a corrupt politician's murder, a missing state fund, and a stolen pearl necklace, with clues ranging from a window at the White Cat club to a cyanide-laced chalk.
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She was more composed, I think, when she found me considerably older than herself. I saw her looking furtively at the graying places over my ears. I am only thirty-five, as far as that goes, but my family, although it keeps its hair, turns gray early--a business asset but a social handicap.

"Won't you sit down?" I asked, pushing out a chair, so that she would face the light, while I remained in shadow. Every doctor and every lawyer knows that trick. "As far as the name goes, perhaps you would better tell me the trouble first. Then, if I think it indispensable, you can tell me."

She acquiesced to this and sat for a moment silent, her gaze absently on the windows of the building across. In the morning light my first impression was verified. Only too often the raising of a woman's veil in my office reveals the ravages of tears, or rouge, or dissipation. My new client turned fearlessly to the window an unlined face, with a clear skin, healthily pale. From where I sat, her profile was beautiful, in spite of its drooping suggestion of trouble; her first embarrassment gone, she had forgotten herself and was intent on her errand.

"I hardly know how to begin," she said, "but suppose"--slowly--"suppose that a man, a well-known man, should leave home without warning, not taking any clothes except those he wore, and saying he was coming home to dinner, and he--he--"

She stopped as if her voice had failed her.

"And he does not come?" I prompted.

She nodded, fumbling for her handkerchief in her bag.

"How long has he been gone?" I asked. I had heard exactly the same thing before, but to leave a woman like that, hardly more than a girl, and lovely!

"I should think it ought to be looked into," I said decisively, and got up. Somehow I couldn't sit quietly. A lawyer who is worth anything is always a partisan, I suppose, and I never hear of a man deserting his wife that I am not indignant, the virtuous scorn of the unmarried man, perhaps. "But you will have to tell me more than that. Did this gentleman have any bad habits? That is, did he--er--drink?"

"Not to excess. He had been forbidden anything of that sort by his physician. He played bridge for money, but I--believe he was rather lucky." She colored uncomfortably.

"Married, I suppose?" I asked casually.

"He had been. His wife died when I--" She stopped and bit her lip. Then it was not her husband, after all! Oddly enough, the sun came out just at that moment, spilling a pool of sunlight at her feet, on the dusty rug with its tobacco-bitten scars.

"It is my father," she said simply. I was absurdly relieved.

But with the realization that I had not a case of desertion on my hands, I had to view the situation from a new angle.

"You are absolutely at a loss to account for his disappearance?"

"You have had no word from him?"

"He never went away before for any length of time, without telling you?"

"No. Never. He was away a great deal, but I always knew where to find him." Her voice broke again and her chin quivered. I thought it wise to reassure her.

"Don't let us worry about this until we are sure it is serious," I said. "Sometimes the things that seem most mysterious have the simplest explanations. He may have written and the letter have miscarried or--even a slight accident would account--" I saw I was blundering; she grew white and wide-eyed. "But, of course, that's unlikely too. He would have papers to identify him."

"His pockets were always full of envelopes and things like that," she assented eagerly.

"Don't you think I ought to know his name?" I asked. "It need not be known outside of the office, and this is a sort of confessional anyhow, or worse. People tell things to their lawyer that they wouldn't think of telling the priest."

Her color was slowly coming back, and she smiled.

"My name is Fleming, Margery Fleming," she said after a second's hesitation, "and my father, Mr. Allan Fleming, is the man. Oh, Mr. Knox, what are we going to do? He has been gone for more than a week!"

No wonder she had wished to conceal the identity of the missing man. So Allan Fleming was lost! A good many highly respectable citizens would hope that he might never be found. Fleming, state treasurer, delightful companion, polished gentleman and successful politician of the criminal type. Outside in the corridor the office boy was singing under his breath. "Oh once there was a miller," he sang, "who lived in a mill." It brought back to my mind instantly the reform meeting at the city hall a year before, where for a few hours we had blown the feeble spark of protest against machine domination to a flame. We had sung a song to that very tune, and with this white-faced girl across from me, its words came back with revolting truth. It had been printed and circulated through the hall.

"Oh, once there was a capitol That sat on a hill, As it's too big to steal away It's probably there still. The ring's hand in the treasury And Fleming with a sack. They take it out in wagon loads And never bring it back."

I put the song out of my mind with a shudder. "I am more than sorry," I said. I was, too; whatever he may have been, he was _her_ father. "And of course there are a number of reasons why this ought not to be known, for a time at least. After all, as I say, there may be a dozen simple explanations, and--there are exigencies in politics--"

"I hate politics!" she broke in suddenly. "The very name makes me ill. When I read of women wanting to--to vote and all that, I wonder if they know what it means to have to be polite to dreadful people, people who have even been convicts, and all that. Why, our last butler had been a prize fighter!" She sat upright with her hands on the arms of the chair. "That's another thing, too, Mr. Knox. The day after father went away, Carter left. And he has not come back."

"Carter was the butler?"

"And he left without giving you any warning?"

"Yes. He served luncheon the day after father went away, and the maids say he went away immediately after. He was not there that evening to serve dinner, but--he came back late that night, and got into the house, using his key to the servants entrance. He slept there, the maids said, but he was gone before the servants were up and we have not seen him since."

I made a mental note of the butler.

"We'll go back to Carter again," I said. "Your father has not been ill, has he? I mean recently."

"I can not think of anything except that he had a tooth pulled." She was quick to resent my smile. "Oh, I know I'm not helping you," she exclaimed, "but I have thought over everything until I can not think any more. I always end where I begin."

"You have not noticed any mental symptoms--any lack of memory?"

"He forgot my birthday, two weeks ago," she said. "It was the first one he had ever forgotten, in nineteen of them."

Nineteen! Nineteen from thirty-five leaves sixteen!

"What I meant was this," I explained. "People sometimes have sudden and unaccountable lapses of memory and at those times they are apt to stray away from home. Has your father been worried lately?"

"He has not been himself at all. He has been irritable, even to me, and terrible to the servants. Only to Carter--he was never ugly to Carter. But I do not think it was a lapse of memory. When I remember how he looked that morning, I believe that he meant then to go away. It shows how he had changed, when he could think of going away without a word, and leaving me there alone."

"Then you have no brothers or sisters?"

"None. I came to you--" there she stopped.

"Please tell me how you happened to come to me," I urged. "I think you know that I am both honored and pleased."

"I didn't know where to go," she confessed, "so I took the telephone directory, the classified part under 'Attorneys,' and after I shut my eyes, I put my finger haphazard on the page. It pointed to your name."

I am afraid I flushed at this, but it was a wholesome douche. In a moment I laughed.

"We will take it as an omen," I said, "and I will do all that I can. But I am not a detective, Miss Fleming. Don't you think we ought to have one?"

"Not the police!" she shuddered. "I thought you could do something without calling in a detective."

"Suppose you tell me what happened the day your father left, and how he went away. Tell me the little things too. They may be straws that will point in a certain direction."

"In the first place," she began, "we live on Monmouth Avenue. There are just the two of us, and the servants: a cook, two housemaids, a laundress, a butler and a chauffeur. My father spends much of his time at the capital, and in the last two years, since my old governess went back to Germany, at those times I usually go to mother's sisters at Bellwood--Miss Letitia and Miss Jane Maitland."

I nodded: I knew the Maitland ladies well. I had drawn four different wills for Miss Letitia in the last year.

"My father went away on the tenth of May. You say to tell you all about his going, but there is nothing to tell. We have a machine, but it was being repaired. Father got up from breakfast, picked up his hat and walked out of the house. He was irritated at a letter he had read at the table--"

"Could you find that letter?" I asked quickly.

"He took it with him. I knew he was disturbed, for he did not even say he was going. He took a car, and I thought he was on his way to his office. He did not come home that night and I went to the office the next morning. The stenographer said he had not been there. He is not at Plattsburg, because they have been trying to call him from there on the long distance telephone every day."

In spite of her candid face I was sure she was holding something back.

"Why don't you tell me everything?" I asked. "You may be keeping back the one essential point."

She flushed. Then she opened her pocket-book and gave me a slip of rough paper. On it, in careless figures, was the number "eleven twenty-two." That was all.

"I was afraid you would think it silly," she said. "It was such a meaningless thing. You see, the second night after father left, I was nervous and could not sleep. I expected him home at any time and I kept listening for his step down-stairs. About three o'clock I was sure I heard some one in the room below mine--there was a creaking as if the person were walking carefully. I felt relieved, for I thought he had come back. But I did not hear the door into his bedroom close, and I got more and more wakeful. Finally I got up and slipped along the hall to his room. The door was open a few inches and I reached in and switched on the electric lights. I had a queer feeling before I turned on the light that there was some one standing close to me, but the room was empty, and the hall, too."

"When I saw the room was empty I went in. The paper had been pinned to a pillow on the bed. At first I thought it had been dropped or had blown there. When I saw the pin I was startled. I went back to my room and rang for Annie, the second housemaid, who is also a sort of personal maid of mine. It was half-past three o'clock when Annie came down. I took her into father's room and showed her the paper. She was sure it was not there when she folded back the bed clothes for the night at nine o'clock."

"Eleven twenty-two," I repeated. "Twice eleven is twenty-two. But that isn't very enlightening."

"No," she admitted. "I thought it might be a telephone number, and I called up all the eleven twenty-twos in the city."

In spite of myself, I laughed, and after a moment she smiled in sympathy.

"We are not brilliant, certainly," I said at last. "In the first place, Miss Fleming, if I thought the thing was very serious I would not laugh--but no doubt a day or two will see everything straight. But, to go back to this eleven twenty-two--did you rouse the servants and have the house searched?"

"Yes, Annie said Carter had come back and she went to waken him, but although his door was locked inside, he did not answer. Annie and I switched on all the lights on the lower floor from the top of the stairs. Then we went down together and looked around. Every window and door was locked, but in father's study, on the first floor, two drawers of his desk were standing open. And in the library, the little compartment in my writing-table, where I keep my house money, had been broken open and the money taken."

"Nothing else was gone?"

"Nothing. The silver on the sideboard in the dining-room, plenty of valuable things in the cabinet in the drawing-room--nothing was disturbed."

"It might have been Carter," I reflected. "Did he know where you kept your house money?"

"It is possible, but I hardly think so. Besides, if he was going to steal, there were so many more valuable things in the house. My mother's jewels as well as my own were in my dressing-room, and the door was not locked."

"They were not disturbed?"

"They had been disturbed," she admitted. "My grandmother left each of her children some unstrung pearls. They were a hobby with her. Aunt Jane and Aunt Letitia never had theirs strung, but my mother's were made into different things, all old-fashioned. I left them locked in a drawer in my sitting-room, where I have always kept them. The following morning the drawer was unlocked and partly open, but nothing was missing."

"All your jewelry was there?"

"All but one ring, which I rarely remove from my finger." I followed her eyes. Under her glove was the outline of a ring, a solitaire stone.

"Nineteen from--" I shook myself together and got up.

"It does not sound like an ordinary burglary," I reflected. "But I am afraid I have no imagination. No doubt what you have told me would be meat and drink to a person with an analytical turn of mind. I can't deduct. Nineteen from thirty-five leaves sixteen, according to my mental process, although I know men who could make the difference nothing."

I believe she thought I was a little mad, for her face took on again its despairing look.

"We _must_ find him, Mr. Knox," she insisted as she got up. "If you know of a detective that you can trust, please get him. But you can understand that the unexplained absence of the state treasurer must be kept secret. One thing I am sure of: he is being kept away. You don't know what enemies he has! Men like Mr. Schwartz, who have no scruples, no principle."

"Schwartz!" I repeated in surprise. Henry Schwartz was the boss of his party in the state; the man of whom one of his adversaries had said, with the distinct approval of the voting public, that he was so low in the scale of humanity that it would require a special dispensation of Heaven to raise him to the level of total degradation. But he and Fleming were generally supposed to be captain and first mate of the pirate craft that passed with us for the ship of state.

"Mr. Schwartz and my father are allies politically," the girl explained with heightened color, "but they are not friends. My father is a gentleman."

The inference I allowed to pass unnoticed, and as if she feared she had said too much, the girl rose. When she left, a few minutes later, it was with the promise that she would close the Monmouth Avenue house and go to her aunts at Bellwood, at once. For myself, I pledged a thorough search for her father, and began it by watching the scarlet wing on her hat through the top of the elevator cage until it had descended out of sight.

I am afraid it was a queer hodgepodge of clues and sentiment that I poured out to Hunter, the detective, when he came up late that afternoon.

Hunter was quiet when I finished my story.

"They're rotten clear through," he reflected. "This administration is worse than the last, and it was a peach. There have been more suicides than I could count on my two hands, in the last ten years. I warn you--you'd be better out of this mess."

"What do you think about the eleven twenty-two?" I asked as he got up and buttoned his coat.

"Well, it might mean almost anything. It might be that many dollars, or the time a train starts, or it might be the eleventh and the twenty-second letters of the alphabet--k--v."

"K--v!" I repeated, "Why that would be the Latin _cave_--beware."

Hunter smiled cheerfully.

"You'd better stick to the law, Mr. Knox," he said from the door. "We don't use Latin in the detective business."

Plattsburg was not the name of the capital, but it will do for this story. The state doesn't matter either. You may take your choice, like the story Mark Twain wrote, with all kinds of weather at the beginning, so the reader could take his pick.

We will say that my home city is Manchester. I live with my married brother, his wife and two boys. Fred is older than I am, and he is an exceptional brother. On the day he came home from his wedding trip, I went down with my traps on a hansom, in accordance with a prearranged schedule. Fred and Edith met me inside the door.

"Here's your latch-key, Jack," Fred said, as he shook hands. "Only one stipulation--remember we are strangers in the vicinity and try to get home before the neighbors are up. We have our reputations to think of."

"There is no hour for breakfast," Edith said, as she kissed me. "You have a bath of your own, and don't smoke in the drawing-room."

Fred was always a lucky devil.

I had been there now for six years. I had helped to raise two young Knoxes--bully youngsters, too: the oldest one could use boxing-gloves when he was four--and the finest collie pup in our end of the state. I wanted to raise other things--the boys liked pets--but Edith was like all women, she didn't care for animals.

I had a rabbit-hutch built and stocked in the laundry, and a dove-cote on the roof. I used the general bath, and gave up my tub to a young alligator I got in Florida, and every Sunday the youngsters and I had a great time trying to teach it to do tricks. I have always taken it a little hard that Edith took advantage of my getting the measles from Billy, to clear out every animal in the house. She broke the news to me gently, the day the rash began to fade, maintaining that, having lost one cook through the alligator escaping from his tub and being mistaken, in the gloom of the back-stairs, for a rubber boot, and picked up under the same misapprehension, she could not risk another cook.

On the day that Margery Fleming came to me about her father, I went home in a state of mixed emotion. Dinner was not a quiet meal: Fred and I talked politics, generally, and as Fred was on one side and I on the other there was always an argument on.

"What about Fleming?" I asked at last, when Fred had declared that in these days of corruption, no matter what the government was, he was "forninst" it. "Hasn't he been frightened into reform?"

The narrator's opening remark—that in his criminal work, any woman wearing a skirt is a 'lady' until proven otherwise—immediately establishes a wry, professional voice that colors the entire investigation. This lawyer, who admits his graying hair is a 'business asset but a social handicap,' observes clients with a detective's eye for detail: the frayed petticoats of a poultry-stand owner, the silk sweep of a diamond theft victim, the staid black of a wronged wife. Such precise cataloging of dress and demeanor signals a narrator who reads people through their appearances, a habit that proves crucial when a veiled, white-faced young woman enters his office seeking advice without giving her name.

A Lawyer's Voice and the Art of Observation

The narrator's self-deprecating humor and sharp eye for social nuance give the prose a distinctive texture. He notes that his office manager, Hawes, calls every female visitor a 'lady,' even the one who 'appropriated all the loose change out of the pocket of his overcoat.' This wry aside does more than amuse; it establishes a world where appearances are both respected and suspect. When the mysterious client arrives, the narrator's attention to her 'poise in spite of embarrassment' and her furtive glance at his graying temples reveals a man accustomed to reading unspoken cues. His observation that she seemed more composed upon finding him 'considerably older than herself' hints at the social calculations that drive the plot.

Clues in Small Objects: Bullets, Chalk, and Cyanide

The detective work in this novel often hinges on tiny, tangible items. A coroner's physician provides a bullet from the victim's body—a .32 caliber—while the revolver found at the scene is a .38, raising the question 'where's the other gun?' Later, a roll of brown paper yields a bit of white chalk that turns out to be cyanide of potassium, which the druggist who sold it 'ought to be choked' for supplying. These objects are handled with care, rolled on palms, and examined dramatically. The narrator's friend Burton, a newspaper man, treats each clue as a miniature revelation, underscoring how small physical evidence can unravel large conspiracies.

The Reporter as Confidant and Theorist

Burton, the cheerful newspaper man, serves as both sounding board and theorist. When the narrator confides the whole story—from the Maitland pearls to the dumb-waiter descent—Burton listens while eating 'enough beefsteak for two men.' His loyalty is absolute: 'He will go out of his way to keep it: he will lock it in the depths of his bosom, and keep it until seventy times seven.' This exaggerated, almost biblical trust contrasts with the corruption around them. Burton then lays out two competing theories: one involving the cashier Clarkson, who killed himself after the bank collapsed, and another pointing to Wardrop, the messenger who claimed to have been robbed. The dialogue crackles with competing possibilities, each grounded in specific details like the bank's deposits and the timing of events.

Setting and Suspense: The White Cat Club

The White Cat club itself is a shadowy setting, a place where a politician like Fleming can hide and where a window becomes a pivotal clue. The narrator's drop down a dumb-waiter suggests a physical descent into the murky heart of the mystery. The club's atmosphere is evoked through hurried exits, trembling messengers, and conflicting stories. Wardrop, after entering the club, rushes out within twenty minutes, claiming he needs cocaine for a gentleman upstairs, then changes his story to say Fleming committed suicide. The setting is not merely a backdrop but an active participant in the deception, with its dumb-waiter, its locked rooms, and its window that perhaps reveals more than it conceals.

Readers should attend to the narrator's offhand remarks and the physical objects that pass from hand to hand. A bullet, a piece of chalk, a fountain pen—each carries weight. The story unfolds through conversation and recollection rather than action, so the pleasure lies in weighing competing accounts and noticing who speaks with authority and who falters. The White Cat window, mentioned in the title, remains a tantalizing detail; its significance emerges gradually, rewarding patient attention.

I remember a gray, drizzly afternoon when I got lost in The Window at the White Cat, the way the fog outside blurred the lines between the political corruption and the stolen pearls. Somehow, that mood of murky, working-class grit lingered, nudging me toward the more ramshackle world of Bindle: Some Chapters in the Life of Joseph Bindle — Themes and Context, where the chaos felt a bit cozier, like rain on a tin roof.

Dylan Hall
3 weeks ago

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